Ruins of the Arciorgano and the neutral third/Johannes Keller

In today's interview, our conversation partner Johannes Keller, teacher at the Schola Cantorum Basiliensis and musician, will talk about a unique instrument recreated from a coin and historical flyer of the 16th century (!), based on the descriptions of Vicentino. Arciorgano is the only prototype of this instrument in the world which exists within the walls of the Schola. We will learn more about Vicentino's theory, humanism and Ancient Greece, hear the difference between minor and neutral thirds, learn about new Vicentino harmonies and the mysteries of historically informed design. About Nicola Vicentino and his invention https://en.wikipedia.org/wiki/Nicola_Vicentino Johannes Keller and his projects: http://www.kellerjohannes.com https://www.projektstudio31.com https://www.youtube.com/channel/UCFG2Y__ODlxuIwcdzMM5zrQ Listen and see Arciorgano https://www.youtube.com/watch?v=0akGtDPVRxk More material concerning temperaments, tunings, instruments and much more you can find on the Early Music Sources channel https://www.youtube.com/channel/UCJOiqToQ7kiakqTLE7Hdd5g  We suggest to watch their videos about temperaments in the Renaissance (and not only!) https://www.youtube.com/watch?v=TgwaiEKnMTQ&list=PLWoQ_Z2-dWRmXI7KiHep_kG6BPqLEjl0K https://www.youtube.com/watch?v=R75unSXKJXQ&t=12s Discover more video material on our Telegram channel, Instagram, Facebook etc. https://insightreadingenlightenment.carrd.co Email us if you would like to support us insightreading.enlightenment@gmail.com Darina and Sebastien #insightreadingenlightenment #earlymusicpodcastinsightreadingenlightenment #organ #arciorgano #johanneskeller #studio31 #earlymusicsources #flute #cembalo #baroque #baroquemusic #podcast #earlymusicpodcast #vicentino #darinaablogina #sebastienmitra #darinaabloginapodcast

Om Podcasten

Hello dear friends! Welcome to our brand new podcast dedicated to sight-reading. Why sight-reading? We want to show the behind-the-scenes of music-making. We begin each episode with our initial thoughts on a new score as well as musings about style, aesthetics, and instruments. We challenge ourselves to apply our understanding of historical practices to achieve a more musical reading of a given text. Whether you are amateur musicians looking for tips on sight-reading and insight into historical performance or a seasoned musician, we would be happy if you joined us.