HT0919 - One Subject, Two Orientations

Most frequently, I find that the subject of the photograph determines the orientation I use. As obvious as that might sound, I've also found it an incredibly useful strategy to force myself to use the opposite orientation. Does not only keeps me out of creative ruts, but I can't tell you the number of times I've been working a project only to wish I had an image in the opposite orientation because it fit the layout of the project better.

Om Podcasten

Random Observations on Art, Photography, and the Creative Process. These short 2-4 minute talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 35 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work and building an audience. Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. His latest books are "The Creative Life in Photography" (2013) and "Looking at Images (2014).