LITM Extra - Music and Marxism pt.2 [excerpt]

This is a excerpt of a patrons-only episode. To become a patron from just £3pcm, visit Patreon.com/LoveMessagePod. In the concluding episode of the mini-series, Jeremy completes his account of those Marxist academics and thinkers whose work either makes reference to music or can be brought to bear on it. Picking up in the 1950s, we hear about ways of understanding music's autonomous capacity to affect people's bodies and make them feel, desublimation, Structuralism and it's descendents, and vibe. Jeremy touches on the writing of Bloch, Marcuse, Freud, Barthes and Kristeva, as well as staples of the show Deleuze and Guattari. We hear about the 'grain' of the voice, the difference between the meaning and the material aspects of song, and finally return to the big question: what drives historical change? Tracklist: Pete Seeger - Which Side Are You On? Ewan McColl & Peggy Seeger - The Shoals of Herring The Grateful Dead - Birdsong Books, articles etc: #ACFM Podcast on folk music: https://novaramedia.com/2021/05/08/acfm-microdose-jeremy-gilbert-on-folk-music/ Ernst Bloch - The Spirit of Utopia Herbert Marcuse - One Dimensional Man Herbert Marcuse - Eros and Civilisation Sigmund Freud - Civilization and its Discontents Roland Barthes - Mythologies Roland Barthes - The Grain of the Voice Julia Kristeva - Revolutions in Poetic Language Deleuze & Guattari - Anti-Oedipus Deleuze & Guattari - A Thousand Plateaus Jeremy Gilbert - 'Becoming Music: The Rhizomatic Moment of Improvisation’ in Deleuze and Music Buchanan & Swiboda (Eds) Jaques Attali - Noise

Om Podcasten

Love is the Message: Music, Dance & Counterculture is a new show from Tim Lawrence and Jeremy Gilbert, both of them authors, academics, DJs and dance party organisers. Tune in, Turn on and Get Down to in-depth discussion of the sonic, social and political legacies of radical movements from the 1960s to today. Starting with David Mancuso's NYC Loft parties, we’ll explore the countercultural sounds, scenes and ideas of the late 20th and early 21st centuries. ”There’s one big party going on all the time. Sometimes we get to tune into it.” The rest of the time there’s Love Is The Message.