Practical Criticism No. 68—Beyoncé's Cowboy Carter

Practical Criticism is back with its first episode of 2024—on Beyoncé’s Cowboy Carter. In it, Rebecca Ariel Porte plays the opening track of the album, “American Requiem,” for Ajay Singh Chaudhary, who, as usual, doesn’t know what the object will be. Their conversation then commences with a question: Beyoncé is far from the first to undertake the ambitious task of deconstructing country music’s many musical debts—but does she actually succeed in doing so? Along the way, they discuss the history of Black country music (and listen to Linda Martell), the convergence of aesthetic and commodity forms (is the album so slick as to slide over into parody?), conflictual aspirations to iconicity and iconoclasm, and the courage of conviction it takes to betray an older version of one’s own aesthetic commitments.  

Om Podcasten

From Plato to quantum physics, Walter Benjamin to experimental poetry, Frantz Fanon to the history of political radicalism, The Podcast for Social Research is a crucial part of our mission to forge new, organic paths for intellectual work in the twenty-first century: an ongoing, interdisciplinary series featuring members of the Institute, and occasional guests, conversing about a wide variety of intellectual issues, some perennial, some newly pressing. Each episode centers on a different topic and is accompanied by a bibliography of annotations and citations that encourages further curiosity and underscores the conversation’s place in a larger web of cultural conversations.