336: šŸ’¬ā€‹ How Harkness Won Me Over (Completely)

Today we’re talking about a model that influenced every discussion I ran in my classroom from my first year to my last, across grade levels, years, and countries. I’ve run hundreds of Harkness discussions - terrible ones, experimental ones, pretty ok ones, good ones, and absolutely incredible ones. Today I want to tell you how Harkness discussion changed the way I see group dynamics and why I can’t talk about class discussion without centering this model. I want you to try Harkness, or some spin off of it that fits your classroom space and size, and here’s why. Maybe you’ve heard me talk before about the new teacher conference I attended in Northern California when I was 22. At some point during that loaded weekend, someone handed me a sheaf of papers labeled ā€œHarkness Discussions.ā€ Inside, I found some example discussion charts, a summary of the model, and a dream.Ā  Harkness was originally developed at Philips Exeter Academy, where a philanthropist named Edward Harkness made a gift to the school that was channeled into creating and implementing a model of discussion centering student voices. It sounds pretty simple - students sit in a circle, ideally - but in practice rarely - around a large oval wooden table, and talk to each other in class. They face each other, look at each other, acknowledge each others’ ideas, rather than all facing toward the teacher leading the way. By the time I started flipping through my packet in 2004, more than seven decades after that initial gift, teachers had been experimenting with and improving the model for a long time. I read everything I could find online, then decided to roll out a one month experiment in every class. I was waaay into experiments at that point, and my students were used to seeing my metaphorical jazz hands as I rolled out poetry slams, performance projects, transcendental showcases, and whatever else I cooked up late at night and on the weekend while I was working all. the. time.Ā  So they were game enough when I explained what we’d be doing. I showed them a picture of a discussion chart and explained that a student observer would chart each discussion and give a compliment and a recommendation for improvement at the end of the discussion (not mentioning specific names). I explained that my role would be to help them prepare in advance for the discussion but not to moderate it during the actual conversation. I warned them about the vast potential for awkward silence, promised that they’d get through it, and also promised not to ruin everything by rescuing them. We talked about what could make a student-led discussion go well. And then we started.Ā  During that first month of Harkness, I watched four different classes go through four very different evolutions.Ā  F block skipped the floundering stage and went right to the ā€œwe’re awesome and we can rock thisā€ stage. They had lots of kids who did the reading and wanted to talk, so after the initial observer comments that not everyone was talking (which is pretty much always the observer comment in every class in the first few Harkness discussions), things progressed quickly. With a little bit of help from me in chatting with observers before class, observations became more nuanced, and the class moved into the common next stages of Harkness, like helping students work on not interrupting each other, finding ways to subtly invite and support comments from students who were reluctant to speak, bringing more specific textual evidence into the conversation, making better transitions, and asking good questions. B block, on the other hand, floundered with the best of them. Maybe the trickiest transition into good Harkness that I ever saw over 25 different classes. Still, not to ruin the ending, but they got there by the end of the month. In D block I learned a lot about how to work with a slow-starting class. I integrated strategies like careful warm-ups to give students plenty to talk about, staring down at my notebook and writing ā€œthis is awkwardā€ over and over again with careful focus during awkward pauses so that kids would know I wasn’t going to rescue them, and helping guide my observer in positively reinforcing the smallest improvements and giving a specific focused goal that was achievable for the next discussion.Ā  That first month built the foundation to continue for the rest of the year, though we stopped integrating the method every single day. Harkness became our go-to discussion method, more like once or twice a week, which is how I continued into the next years. But that sense of the method as a living experiment, an evolution that never ended, stayed with me. The next year I surveyed my students about their experience with Harkness, and here are some of their comments:Ā  ā€œI think I’ve always been able to share my thoughts, but I’ve definitely changed as a listener. I’ve learned how to pay attention.ā€ ā€œI have changed. I seem to like to talk a lot more than I thought I would have. Harkness has allowed me to gain confidence in myself and what I believe is right.ā€ ā€œHarkness teaches hesitant speakers to be more confident with their ideas. Conversely, it shows talkative people the value of listening to their peers’ opinions.ā€ ā€œI have yet to feel like sleeping during a discussion.ā€Ā  ā€œI’ve learned to think before I speak.ā€ Over the years, I watched powerful transformations. Learned how to help silent students break in. Learned how to help dominators step back. Learned how to team up with my observers to chart dynamics relating to ever more complex factors in the room, like gender, friend groups, types of question, and topic transitions. I watched a brave young woman, our student body president, break down in tears after class as she realized for the first time that quieter peers she didn’t think had anything to say had rich contributions to make when space was made for them. I watched emerging bilingual students realize others cared about their opinion and were willing to make space to hear it. Awkward silence became funny instead of scary. Wide-ranging student-led discussion became the norm. And that’s where we’re going to leave it today. Next week we’re digging into specifics. Expect to see one episode in your feed Tuesday on setting up success and the role of the observer, and another on helping discussion dominators and silent students. I’ll be coming at it through the perspective of Harkness, because that’s the discussion country where I’ve got my citizenship, but you can apply similar ideas to Socratic Seminar or whatever spinoff of student-led discussion you prefer.Ā  Ā  Go Further:Ā  Explore alllll the Episodes of The Spark Creativity Teacher Podcast. Join our community, Creative High School English, on Facebook. Come hang out on Instagram. Enjoying the podcast? Please consider sharing it with a friend, snagging a screenshot to share on the ā€˜gram, or tapping those ⭐⭐⭐⭐⭐ to help others discover the show. Thank you!Ā 

Om Podcasten

Want to love walking into your ELA classroom each day? Excited about innovative strategies like PBL, escape rooms, hexagonal thinking, sketchnotes, one-pagers, student podcasting, genius hour, and more? Want a thriving choice reading program and a shelf full of compelling diverse texts? You're in the right place! Here you'll find interviews with top authors from the ELA field, workshops with strategies you can use in class immediately, and quick tips to ignite your English teacher creativity. Love teaching poetry? Explore blackout poems, book spine poems, I am from poems, performance poetry, lessons for contemporary poets, and more. Excited to get started with hexagonal thinking? Find out how to build your first deck of hexagons, guide your students through their first discussion, and even expand into hexagonal one-pagers. Into visual learning? Me too! Learn about sketchnotes, one-pagers, and the writing makerspace. Want to get your students podcasting? Get the top technology recs you need to make it happen, and find out what tips a podcaster would give to students starting out. Wish your students would fall for choice reading? Explore top titles and how to fund them, learn to make your library more appealing, and find out how to be a top P.R. agent for books in your classroom. In it for the interviews? Fabulous! Find out about project-based-learning, innovative school design, what really helps kids learn deeply, design thinking, how to choose diverse texts, when to scaffold sketchnotes lessons, building your first writing makerspace, cultivating writer's notebooks, getting started with genius hour, and so much more, from our wonderful guests. Here at The Spark Creativity Teacher Podcast, discover you're not alone as a creative English teacher. You're part of a vast community welcoming students to their next escape room, rolling out contemporary poetry and reading aloud on First Chapter Fridays, engaging kids with social media projects and real-world ELA units. As your host (hi, I'm Betsy), I'm here to help you ENJOY your days at school and feel inspired by all the creative ways to teach both contemporary works and the classics your school may be pushing. I taught ELA at the 9th, 10th, 11th, and 12th grade levels both in the United States and overseas for almost a decade, and I didn't always get support for my creativity. Now I'm here to make sure YOU get the creative support you deserve, and it brings me so much joy. Welcome to The Spark Creativity Teacher Podcast, a podcast for English teachers in search of creative teaching strategies!