ASTS 043: The Evolving Sound of Science Fiction Cinema, Part 4-The 1970‘s, cont.

Greetings everyone! In this new episode of the podcast, my sonic journey through the music for Science Fiction cinema through the decades continues, by closing out the 1970's. This will focus on titles from the 1977-1979 years, and more specifically STAR WARS and the ripples created by that seismic shift of its musical score composed by John Williams. The electronic and avant garde sounds of the genre heard during the early Seventies found themselves supplanted by the return of those of the Golden Age of Hollywood, being the more traditionally symphonic soundscapes.     John Williams features prominently as expected, by way of not only STAR WARS but both CLOSE ENCOUNTERS OF THE THIRD KIND and SUPERMAN: THE MOVIE, along with titles by Jerry Goldsmith (DAMNATION ALLEY, ALIEN, STAR TREK: THE MOTION PICTURE), John Barry (STARCRASH, THE BLACK HOLE), Laurence Rosenthal (THE ISLAND OF DR MOREAU, METEOR), Brian May (MAD MAX) and others...   Stay safe out there, take care of yourself and each other!    Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod   Email the show at ascoretosettlepodcast@gmail.com   

Om Podcasten

A Score To Settle was initially my blog in which I discussed my soundtrack collection in relation to personal moments and memories. After a number of years, I decided to expand this topic into a podcast, so I could share more about the music. Retaining the same name, A Score To Settle is a podcast about music composed for Film and Television, through my own analysis of specific scores and album releases, overviews of certain composer careers and also interviews, both with those working in the industry and fellow fans.