ASTS 050: Guest Neil S. Bulk, soundtrack album producer and editor-2022 in review

Happy New Year to all listeners out there and welcome to the first new episode of 2023! In this inaugural episode of the new year, I am accompanied by popular soundtrack album producer and editor Neil S. Bulk, in what has become a perennial, (hopefully) entertaining and often “inside baseball” type of discussion. Neil and I recap his standout projects from the prior year, 2022, for the venerable soundtrack record labels La La Land Records, Quartet Records and Varese Sarabande. As always, I appreciate when Neil can spend time to relay the details and experiences on these albums!   Below are the films and composers represented here, with time index for helpful reference:   FIRST BLOOD (1982), RAMBO: FIRST BLOOD PART II (1985), RAMBO III (1988) (Jerry Goldsmith) - 00:00:00 MARY, QUEEN OF SCOTS (1971) (John Barry) - 00:15:39 CHAPLIN (1992) (John Barry) - 00:19:10 DR SEUSS' HOW THE GRINCH STOLE CHRISTMAS (2000) (James Horner) - 00:26:09 TOMORROW NEVER DIES (1997) (David Arnold) - 00:33:43 THE GODFATHER (1972) (Nino Rota) - 00:44:54 PRESUMED INNOCENT (1990) (John Williams) - 00:55:00 DEATH BECOMES HER (1992) (Alan Silvestri) - 1:01:02 L.A. CONFIDENTIAL (1997) (Jerry Goldsmith) - 1:08:09 THE BURBS (1989) (Jerry Goldsmith) - 1:15:50   Stay safe out there, take care of yourself and each other!    Albums discussed now available at: https://lalalandrecords.com/ https://www.quartetrecords.com/ https://www.varesesarabande.com/   Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod   Email the show at ascoretosettlepodcast@gmail.com   

Om Podcasten

A Score To Settle was initially my blog in which I discussed my soundtrack collection in relation to personal moments and memories. After a number of years, I decided to expand this topic into a podcast, so I could share more about the music. Retaining the same name, A Score To Settle is a podcast about music composed for Film and Television, through my own analysis of specific scores and album releases, overviews of certain composer careers and also interviews, both with those working in the industry and fellow fans.