Season 04 - Episode 05: Archaeological Identities, Part 3

This episode is the third (final) installment of a three-part series produced by Eleanor Neil, contributing editor at American Anthropologist and Anthropological Airwaves. From the African American Burial Ground in New York City to the memorialization of violence in Northern Ireland to professional archaeology in the eastern Mediterranean, Eleanor asks archaeologists with different regional and methodological specialties to choose a single object or site, and, in their own words describe how this this site or artefact speaks to the interaction between archaeology and political or social identity across time and place. Here, Eleanor, an archaeologist herself, takes up the very prompt she posed to Dr. Cheryl Janifer LaRoche and Dr. Laura McAtackney in first two episodes of the series: to consider the role archaeology plays in the creation of contemporary political social discourses in the context of her own research on community archaeology on the eastern Mediterranean island of Cyprus.  Episode Transcript Closed-Captioning Further Reading:  Counts, Derek B., and Elisabetta Cova, P. Nick Kardulias, Michael K. Toumazou. “Fitting In: Archaeology and Community in Athienou, Cyprus.” Near Eastern Archaeology 76, no. 3 (2013): 166-177.  Counts, D.B. “A History of Archaeological Activity in the Athienou Region.” In Crossroads and Boundaries: The Archaeology of Past and Present in the Malloura Valley, Cyprus, Annual of ASOR 65, edited by M. K. Toumazou, P. N. Kardulias, and D. B. Counts, 45–54. Boston: American Schools of Oriental Research, 2012.   The Kallinikeo Museum  Credits:  Writing, Production & Editing: Eleanor Neil Editorial  Production Support: Anar Parikh  Thumbnail Image: Eleanor Neil  Featured  Music: “Westlin’ Winds” by Eoin O’Donnell  Intro/Outro Music: "Waiting" by Crowander

Om Podcasten

Anthropological Airwaves is the official podcast of American Anthropologist, the flagship journal of the American Anthropological Association. It is a venue for highlighting the polyphony of voices across the discipline’s four fields and the infinite—and often overlapping—subfields within them. Through conversations, experiments in sonic ethnography, ethnographic journalism, and other (primarily but not exclusively) aural formats, Anthropological Airwaves endeavors to explore the conceptual, methodological, and pedagogical issues that shape anthropology’s past, present, and future; experiment with new ways of conversing, listening, and asking questions; and collaboratively and collectively push the boundaries of what constitutes anthropological knowledge production. Anthropological Airwaves shares the journal’s commitment to advancing research on the archaeological, biological, linguistic, and sociocultural aspects of the human experience by featuring the work of those who study and practice anthropology within and beyond the academy.