Materials That Make Us - Liverpool Biennial 2025 Ep 4

Cobalt is in our phones, 50% of packaged goods contain palm oil and microplastics have been detected in human placentas. Globally traded materials are, for better or for worse, the everyday bedrock of our society. Artist Linda Lamignan explores their dual heritage from two oil economies, Norway and Nigeria, and explains how animism can inform a different understanding of natural resources. Artist Odur Ronald makes use of aluminium in his sculptures, highlighting parallel routes of global migration and extraction of resources from Africa today. Art historian Stephanie O’Rourke explains the complex relationship artists have always had to the materials traded through global networks since the age of industrialization. Presented by Vid Simoniti with contributions from Liverpool Biennial 2025 curator Marie-Anne McQuay. The second series of Art Against the World is part of the Liverpool Biennial 2025 public programme and is co-produced with the University of Liverpool.

Om Podcasten

A contemporary art podcast that brings together artists, writers and thinkers to discuss how art responds to the world around us. Hosted by philosopher Vid Simoniti, each episode features artists in this year's Liverpool Biennial exhibition, paired with unexpected guests--from cultural critics to community voices. In Season 2, we unpick the central idea of Liverpool Biennial 2025: Bedrock. In an often polarised and fragmented world, what remains our bedrock? What are the things that ground us? Our guests explore answers from a shared family, history, or culture, to a critique of the economic and political realities that undergird our everyday experiences. You can listen to the episodes in order, or by scanning the QR codes next to the artworks exhibited around the city. Each episode features two LB2025 artists, and puts them in conversation with a thinker, performer or writer. www.biennial.com Credits Written and presented by Vid Simoniti, with contributions from Marie-Anne McQuay Co-producer Martha Murphy Sound design Luke Thomas Visual design ohfourtwoseven ⁠ Supported by Liverpool Biennial and the University of Liverpool