The Historical and the Personal - Liverpool Biennial 2025 Ep 2

Our histories can unite us, but they can also haunt us. The artists we talk to respond to ghosts of the past by interweaving historical narratives with reflection on their personal lives. Dawit L Petros investigates the archives of the empire to track down an unlikely 19th century adventure up the River Nile. Jennifer Tee recovers nearly forgotten Indonesian textile crafts, which inspire her life-affirming collages made of tulip petals. Michelle Peterkin-Walker, a Liverpool-based videographer, shares her archive of Liverpool’s African diasporic culture. Presented by Vid Simoniti with contributions from Liverpool Biennial 2025 curator Marie-Anne McQuay. The second series of Art Against the World is part of the Liverpool Biennial 2025 public programme and is co-produced with the University of Liverpool. You can find out more about the exhibition at https://www.biennial.com/

Om Podcasten

A contemporary art podcast that brings together artists, writers and thinkers to discuss how art responds to the world around us. Hosted by philosopher Vid Simoniti, each episode features artists in this year's Liverpool Biennial exhibition, paired with unexpected guests--from cultural critics to community voices. In Season 2, we unpick the central idea of Liverpool Biennial 2025: Bedrock. In an often polarised and fragmented world, what remains our bedrock? What are the things that ground us? Our guests explore answers from a shared family, history, or culture, to a critique of the economic and political realities that undergird our everyday experiences. You can listen to the episodes in order, or by scanning the QR codes next to the artworks exhibited around the city. Each episode features two LB2025 artists, and puts them in conversation with a thinker, performer or writer. www.biennial.com Credits Written and presented by Vid Simoniti, with contributions from Marie-Anne McQuay Co-producer Martha Murphy Sound design Luke Thomas Visual design ohfourtwoseven ⁠ Supported by Liverpool Biennial and the University of Liverpool