The Port · Liverpool Biennial Episode 4

Art that portrays seas and migration. Alberta Whittle’s new video unearths links between climate change and colonialism. Invernomuto’s sound installation traces the influences of the Black diaspora on the Mediterranean culture. We are joined by curator Elvira Dyangani Ose. Presenter Vid Simoniti. Liverpool Biennial 2021 www.biennial.com LINKS Liverpool Biennial 2021: find out more about the artists and the exhibition Twitter: Liverpool Biennial / Vid Simoniti Instagram: Liverpool Biennial  Works featured Alberta Whittle between a whisper and a cry (2019) https://www.biennial.com/2020/exhibition/artists/alberta-whittle The opening of Alberta Whittle’s work contains a quotation from Christina Sharpe’s book In the Wake: On Blackness and Being (Duke University Press) 2016 Invernomuto (Simone Bertuzzi and Simone Trabucchi) Black Med (2018-) https://blackmed.invernomuto.info/ commentator Elvira Dyangani Ose

Om Podcasten

A contemporary art podcast that brings together artists, writers and thinkers to discuss how art responds to the world around us. Hosted by philosopher Vid Simoniti, each episode features artists in this year's Liverpool Biennial exhibition, paired with unexpected guests--from cultural critics to community voices. In Season 2, we unpick the central idea of Liverpool Biennial 2025: Bedrock. In an often polarised and fragmented world, what remains our bedrock? What are the things that ground us? Our guests explore answers from a shared family, history, or culture, to a critique of the economic and political realities that undergird our everyday experiences. You can listen to the episodes in order, or by scanning the QR codes next to the artworks exhibited around the city. Each episode features two LB2025 artists, and puts them in conversation with a thinker, performer or writer. www.biennial.com Credits Written and presented by Vid Simoniti, with contributions from Marie-Anne McQuay Co-producer Martha Murphy Sound design Luke Thomas Visual design ohfourtwoseven ⁠ Supported by Liverpool Biennial and the University of Liverpool