Gram Parsons: A Stolen Body, Heroin, More Rolling Stones and Cosmic American Music

This episode of Disgraceland was previously exclusive but is now available wherever you get your podcasts. You can now listen to season 7 of Disgraceland in its entirety with episodes on David Bowie, the Ramones, Lil Wayne, the New York Dolls, Lil Peep, a previously unheard two-parter on Tupac, a two-parter on Biggie, a two-parter on Oasis, and a two-parter on the Beatles. Gram Parsons is one of the most influential musicians in rock ‘n’ roll that you’ve maybe never heard of. He created a form of music that has been copied by everyone from the Eagles to Ryan Adams. He directly influenced the Rolling Stones’ greatest album, possibly the greatest rock ‘n’ roll album of all time, Exile on Main Street. And when he died his body was stolen and unceremoniously disposed of. This is the story of Gram Parsons' life, death and very strange aftermath. To see the full list of contributors, see the show notes at www.disgracelandpod.com.See omnystudio.com/listener for privacy information.

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In 1966, Brian Wilson planned to follow up the Beach Boys' groundbreaking album Pet Sounds with an even bigger musical statement. He was writing a teenage symphony to God. That album, Smile, was never finished. Instead, Brian slowly unraveled, as the pressure to make something profound weighed heavy on him. He worried that he wasn’t good enough. He worried that he was a failure in the eyes of the record company, his band, his peers, and his own father. He thought his house was bugged. He thought the music he was making conjured some strange voodoo that had a disastrous impact on the real world. He became paranoid. He self-medicated with amphetamines, hash, and LSD. He held meetings in his swimming pool. He imagined people who weren’t there. And eventually, in 1967, he went off the proverbial deep end. Did the real Brian Wilson ever resurface? Part true crime, part historical fiction, part spoken word lo-fi beat noir brought to you by Jake Brennan, and featuring the fictionalized voice Brian Wilson, BLOOD ON THE TRACKS sounds like nothing you’ve heard before. Because you can’t push the needle into the red without leaving a little blood on the tracks.