Louis Menand and Maya Jasanoff, "The Free World: Art and Thought in the Cold War"

The Cold War was not just a contest of power. It was also about ideas, in the broadest sense―economic and political, artistic and personal. In The Free World, the acclaimed Pulitzer Prize–winning scholar and critic Louis Menand tells the story of American culture in the pivotal years from the end of World War II to Vietnam and shows how changing economic, technological, and social forces put their mark on creations of the mind. How did elitism and an anti-totalitarian skepticism of passion and ideology give way to a new sensibility defined by freewheeling experimentation and loving the Beatles? How was the ideal of “freedom” applied to causes that ranged from anti-communism and civil rights to radical acts of self-creation via art and even crime? With the wit and insight familiar to readers of The Metaphysical Club and his New Yorker essays, Menand takes us inside Hannah Arendt’s Manhattan, the Paris of Jean-Paul Sartre and Simone de Beauvoir, Merce Cunningham and John Cage’s residencies at North Carolina’s Black Mountain College, and the Memphis studio where Sam Phillips and Elvis Presley created a new music for the American teenager. He examines the post war vogue for French existentialism, structuralism and post-structuralism, the rise of abstract expressionism and pop art, Allen Ginsberg’s friendship with Lionel Trilling, James Baldwin’s transformation into a Civil Rights spokesman, Susan Sontag’s challenges to the New York Intellectuals, the defeat of obscenity laws, and the rise of the New Hollywood. Stressing the rich flow of ideas across the Atlantic, he also shows how Europeans played a vital role in promoting and influencing American art and entertainment. By the end of the Vietnam era, the American government had lost the moral prestige it enjoyed at the end of the Second World War, but America’s once-despised culture had become respected and adored. With unprecedented verve and range, this book explains how that happened.

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The Boston Athenæum, a membership library, first opened its doors in 1807, and its rich history as a library and cultural institution has been well documented in the annals of Boston’s cultural life. Today, it remains a vibrant and active institution that serves a wide variety of members and scholars. With more than 600,000 titles in its book collection, the Boston Athenæum functions as a public library for many of its members, with a large and distinguished circulating collection, a newspaper and magazine reading room, quiet spaces and rooms for reading and researching, a children’s library, and wireless internet access throughout its building. The Art Department mounts three exhibitions per year in the institution's Norma Jean Calderwood Gallery, rotating selections in the Recent Acquisitions Gallery, and a number of less formal installations in places and cases around the building. The Special Collections resources are world-renowned, and include maps, manuscripts, rare books, and archival materials. Our Conservation Department works to preserve all our collections. Other activities for members and the public include lectures, panel discussions, poetry readings, musical performances, films, and special events, many of which are followed by receptions. Members are able to take advantage of our second- and fifth-floor terraces during fine weather, and to search electronic databases and our digital collections from their homes and offices.