Bside Incoming Cleymoore

Bside Incoming Cleymoore Hot on the heels of his record label showcase, the Pluie/Noir boss is treating us to another quality episode packed full of Bside gems from his own personal collection. It is with great pleasure we present: Cleymoore. Originally from Lisbon, Portugal, Bruno Santos has been honing his craft in Berlin where his proficiency in graphic design and music production have combined to create an original and expressive audio/visual flavour to his style. His founding of Pluie/Noir and co-management of Rings of Neptune has not pushed only himself, but given platform to rising artists such as Vlad Caia, Diogo and Atree, as well as veterans like Peter Inspirescu and Fumiya Tanaka His talent at the turntables has taken him to some awesome clubs and festivals across the world, so what a privilege to welcome Cleymoore to the Bside podcast and share his treasured collection with the world: We’ll join him on his ongoing exploration of IDM and all its derivatives, dreamy DnB, electro, and left-field house music. Cleymoore's soundcloud - https://soundcloud.com/cleymoore His Instagram - https://www.instagram.com/cleymoore/ Pluie-Noir's soundcloud - https://soundcloud.com/pluie-noir Thanks to Molly Hickey for the beautiful artwork as always. Check out her art here and message her! www.instagram.com/mollyth.art/ Follow the Bside Instagram for updates/news/vinyl and general music chat: www.instagram.com/bsidepodcasts/

Om Podcasten

Bside podcasts DJ's showcase and speak a little about their favourite tracks from the B-side of their records. We endeavour to broadcast the best of the B-side: a bi-weekly invitation into the impressive record collections of some of our favourite selectors. An exploration into the the back-catalogues, the deepest depths, the darkest crevices of their collections. Returning with the spoils of this venture: their most cherished records and hidden gems, from the go-to club weapons to the rarely heard home-listening records, and everything in between. Music is for sharing. 'By the early sixties, the song on the A-side was the 'hit' song that the record company wanted radio stations to play. The B-side would contain less radio friendly and less popular tracks. In our eyes the B-side is a true reflection of the producers taste in music, there is more personality on that side of the record'.