Bside Incoming: ELLES

Bside Incoming: ELLES This episode we give a warm welcome to an increasingly acclaimed DJ who features regularly on Rinse FM and Netil, has released tracks on Naive, Love on the Rocks, and Dark Entries, as well as gracing the decks at such renowned venues as Wilde Renate, KALT, Wide Awake, Field Day, and Glastonbury: it’s https://soundcloud.com/e_l_l_e_s. Her career is shaped by the earliest creative endeavours crafting mixtapes from tracks recorded from the radio, drawing, and customising clothes; her formative years of DJ inspiration at London’s legendary queer parties and warehouse raves; and a touching online relationship with Naive label boss Violet which has flourished into a wide ranging but consistently excellent array of productions on the Portuguese record label. With her sets, productions, and remixes ranging from dance floor bangers to ambient soundscapes, it’s certainly no surprise that her episode of Bside would take us through her wide taste. Expect acid techno, traditional Irish folk, soft rock, euphoric house, wonky italo and everything in between. Check ELLES' soundcloud here - https://soundcloud.com/e_l_l_e_s And her instagram - https://instagram.com/e_l_l_e_s?igshid=YmMyMTA2M2Y= And everything else - https://linktr.ee/ELLES Thanks to Molly Hickey for the beautiful artwork as always. www.instagram.com/mollyth.art/ Follow the Bside Instagram for updates/news/vinyl and general music chat: www.instagram.com/bsidepodcasts/

Om Podcasten

Bside podcasts DJ's showcase and speak a little about their favourite tracks from the B-side of their records. We endeavour to broadcast the best of the B-side: a bi-weekly invitation into the impressive record collections of some of our favourite selectors. An exploration into the the back-catalogues, the deepest depths, the darkest crevices of their collections. Returning with the spoils of this venture: their most cherished records and hidden gems, from the go-to club weapons to the rarely heard home-listening records, and everything in between. Music is for sharing. 'By the early sixties, the song on the A-side was the 'hit' song that the record company wanted radio stations to play. The B-side would contain less radio friendly and less popular tracks. In our eyes the B-side is a true reflection of the producers taste in music, there is more personality on that side of the record'.