Bside Incoming: Goddard

Bside Incoming: Goddard This weekend we’re taking an excursion to the Northern powerhouse of Manchester, a city with a thriving culture of music, and a huge array of talented artists throughout the city. Our guest this week is one of the cities most talented house producer’s: Goddard. He’s released music on some of the genre’s best labels, Church, Tusk Wax, Quintessentials, as well as this beautifully disco infused track on Razor N Tape: https://soundcloud.com/lozgoddard/sets/loz-goddard-drunken-monk-ep He has built upon his quality productions and established himself as top DJ, allowing him to transport his sound from the city of Manchester to clubs and festivals all over the world. He has an impeccable taste in music and the wax to back it up. Goddard is going to ease us into the mix with some downtempo electronic music, jazz, and some mellow house music. Then, songs reminiscent of his weekends spent at Sankeys Manchester, some 90’s throwbacks before ramping things up a notch with a total banger from youandewan and some inspiration from Leftfield’s classic essential mix. Be sure to check out Downtown Groove Sessions, his monthly radio show that features the likes of Harrison BDP, Laurence Guy, and Nachtbraker. Check his SoundCloud - https://soundcloud.com/lozgoddard Thanks to Molly Hickey for the beautiful artwork as always. www.instagram.com/mollyth.art/ Follow the Bside instagram for updates/news/vinyl and general music chat - www.instagram.com/bsidepodcasts/

Om Podcasten

Bside podcasts DJ's showcase and speak a little about their favourite tracks from the B-side of their records. We endeavour to broadcast the best of the B-side: a bi-weekly invitation into the impressive record collections of some of our favourite selectors. An exploration into the the back-catalogues, the deepest depths, the darkest crevices of their collections. Returning with the spoils of this venture: their most cherished records and hidden gems, from the go-to club weapons to the rarely heard home-listening records, and everything in between. Music is for sharing. 'By the early sixties, the song on the A-side was the 'hit' song that the record company wanted radio stations to play. The B-side would contain less radio friendly and less popular tracks. In our eyes the B-side is a true reflection of the producers taste in music, there is more personality on that side of the record'.