Bside Incoming: Javi Frias

Bside Incoming: Javi Frias Here we have a DJ/Producer well respected for his contribution to House and Disco, impeccable edits and dance floor tunes. But this episode of Bside will take us on a trip down memory lane, back to his soulful roots and the influences that ultimately define his sound. Plying his trade as DJ and record collector in Madrid, Javi would soon share his joyful music with the world. From New York to Mexico City, from Berlin to Cairo, dance floors felt the boogie funk of Javi Frias. In the last few years Javi has also gained notoriety as a producer in his own right, releasing on an array of record labels ( Tropical Disco Records, Giant Cuts, Midnight Riot etc. ) before starting his own in 2017. Night Shift Records houses a discography of his own club ready disco edits as well as mentionable contributions from Chassé and Never Dull. Check it out: https://javifrias.bandcamp.com/ He’s now a resident of the best house party in Spain: Discotizer at Madrid’s Marula Café, where he has played with the very best. Louie Vega, Danny Kirivit, Eli Soul Clap, Detroit Swindle, Dan Shake… and many more including past guest Marcel Vogel. But for now, it's back to basics with his Bsides, rare records and personal favourites, plenty of silky smooth soul music for you sweet little ears. Enjoy. Check out Javi's soundcloud here - https://soundcloud.com/javi-frias And his instagram - https://www.instagram.com/javifriasdj/ Thanks to Molly Hickey for the beautiful artwork as always. www.instagram.com/mollyth.art/ Follow the Bside instagram for updates/news/vinyl and general music chat - www.instagram.com/bsidepodcasts/

Om Podcasten

Bside podcasts DJ's showcase and speak a little about their favourite tracks from the B-side of their records. We endeavour to broadcast the best of the B-side: a bi-weekly invitation into the impressive record collections of some of our favourite selectors. An exploration into the the back-catalogues, the deepest depths, the darkest crevices of their collections. Returning with the spoils of this venture: their most cherished records and hidden gems, from the go-to club weapons to the rarely heard home-listening records, and everything in between. Music is for sharing. 'By the early sixties, the song on the A-side was the 'hit' song that the record company wanted radio stations to play. The B-side would contain less radio friendly and less popular tracks. In our eyes the B-side is a true reflection of the producers taste in music, there is more personality on that side of the record'.