Bside incoming: Jerome Hill

Bside Incoming: Jerome Hill We’ve been incredibly excited to share this one with you all, an episode from a DJ who truly embodies the life and soul of dance music and rave culture: Jerome Hill Jerome earned his stripes in London’s illegal rave scene in the 90s, with a hands on mixing style full of fast paced transitions, scratching, and some unexpected gems scattered across his sets. His prowess behind the decks, and his management of many record labels (Don’t (est. 2000), Super Rhythm Trax, Bleeper, Fat Hop and Hornsey Hardcore) has often left his own productions overlooked by many. Discerning selectors, however, have long supported his tracks, making them a feature in the sets of Aphex Twin, Helena Hauf, Ben Sims, Craig Richards and so many more. For this episode, we invite you to step into Jerome Hill’s Bside Bazaar, an array of oddities and collectible sounds, free from the bounds of genre, forever intriguing selections from the flip side. Enjoy! Jerome Hill's SoundCloud - https://soundcloud.com/jeromehill And his Instagram - https://www.instagram.com/djjeromehill/ Thanks to Molly Hickey for the beautiful artwork as always. www.instagram.com/mollyth.art/ Follow the Bside Instagram for updates/news/vinyl and general music chat: www.instagram.com/bsidepodcasts/

Om Podcasten

Bside podcasts DJ's showcase and speak a little about their favourite tracks from the B-side of their records. We endeavour to broadcast the best of the B-side: a bi-weekly invitation into the impressive record collections of some of our favourite selectors. An exploration into the the back-catalogues, the deepest depths, the darkest crevices of their collections. Returning with the spoils of this venture: their most cherished records and hidden gems, from the go-to club weapons to the rarely heard home-listening records, and everything in between. Music is for sharing. 'By the early sixties, the song on the A-side was the 'hit' song that the record company wanted radio stations to play. The B-side would contain less radio friendly and less popular tracks. In our eyes the B-side is a true reflection of the producers taste in music, there is more personality on that side of the record'.