Bside Incoming: Natasha Kitty Katt

Bside Incoming: Natasha Kitty Katt Ep. 160! We are very pleased to present an episode of Bside Incoming from the Edinburgh disco legend and Ghetto Disco boss: Natasha Kitty Kat. Her pedigree as crate digger (growing up in a disco and soul obsessed family) is matched by her passion and technical ability behind the turntables, with a notoriety that has lead her to DJ at Glitterbox, Suncebeat Festival Croatia, Ocean Beach Ibiza, New York’s House of Yes, London’s iconic Printworks and Ministry of Sound, and Supernova Seattle. Natasha boasts tracks released on Glitterbox Recordings, Tropical Disco Records, The Basement Discos and Midnight Riot to name a few, with support from the likes of Louie Vega and even previous guest Marcel Vogel. While her own imprint, Ghetto Disco Records, moves from strength to strength with house and disco intended for the dance floor. If you’re looking for a dose of disco, we’ve got you covered; from the sweet and soulful, the sexy strings, all the way to the funky basslines and of course some staccato synth italo rhythms. Expect soul, downtempo disco, irresistible vocals, and sunny vibes. Check Natasha Kitty Katt's instagram - https://www.instagram.com/natashakittykatt/ Her soundcloud - https://soundcloud.com/natasha-kitty-katt Thanks to Molly Hickey for the beautiful artwork as always. www.instagram.com/mollyth.art/ Follow the Bside Instagram for updates/news/vinyl and general music chat: www.instagram.com/bsidepodcasts/

Om Podcasten

Bside podcasts DJ's showcase and speak a little about their favourite tracks from the B-side of their records. We endeavour to broadcast the best of the B-side: a bi-weekly invitation into the impressive record collections of some of our favourite selectors. An exploration into the the back-catalogues, the deepest depths, the darkest crevices of their collections. Returning with the spoils of this venture: their most cherished records and hidden gems, from the go-to club weapons to the rarely heard home-listening records, and everything in between. Music is for sharing. 'By the early sixties, the song on the A-side was the 'hit' song that the record company wanted radio stations to play. The B-side would contain less radio friendly and less popular tracks. In our eyes the B-side is a true reflection of the producers taste in music, there is more personality on that side of the record'.