Bside Incoming: The Mole

Bside Incoming: The Mole This week's episode of Bside Incoming has been placed in the reliable hands of Canadian DJ and Producer, avid collector of records, label boss of Maybe Tomorrow, and man of musical passion: Colin de la Plante AKA The Mole. Often to be found digging blindly into uncharted subterranean regions on the impassioned pursuit of novel sounds, The Mole endeavours to return to the surface with buried treasures for the keen and willing ears of his audience. Beyond his reputation as a top class live act with an infectious enthusiasm behind the decks, there is much to be said for his prowess as a producer, notably his involvement with Units & Measurements, The Modern Deep Left Quartet, and most recently with his Deadbeat Meets the Mole release on BLKRTZ. Go check out his discogs/bandcamp pages for more: https://themole.bandcamp.com/ https://www.discogs.com/artist/111868-The-Mole With a career spanning 20 years: originating in Vancouver and currently based in Berlin; releases on such prestigious labels as Ostgut Ton, Perlon, Musique Risquée and Internasjonal; worldwide festival appearances at Mutek, Houghton, Sandbox and Outline; and an ever longer list of collaborative musical projects… we are certainly very excited for Colin to guide us through some of his most cherished Bsides. Starting out with a focus on slow burning percussion, and left field jazz, before picking up the pace with some smooth electronica, feel good funky beats and some powerful disco. A healthy dose of legendary artists: Patrick Adams, Billy Preston, Marvin Gaye and Hamilton Bohannon; lightly sprinkled with soulful global sounds throughout and an excellent history lesson for each record. Ever tasteful in his selection, and always keeping us on our toes… The Mole keeps on giving! Enjoy!

Om Podcasten

Bside podcasts DJ's showcase and speak a little about their favourite tracks from the B-side of their records. We endeavour to broadcast the best of the B-side: a bi-weekly invitation into the impressive record collections of some of our favourite selectors. An exploration into the the back-catalogues, the deepest depths, the darkest crevices of their collections. Returning with the spoils of this venture: their most cherished records and hidden gems, from the go-to club weapons to the rarely heard home-listening records, and everything in between. Music is for sharing. 'By the early sixties, the song on the A-side was the 'hit' song that the record company wanted radio stations to play. The B-side would contain less radio friendly and less popular tracks. In our eyes the B-side is a true reflection of the producers taste in music, there is more personality on that side of the record'.