Bside Incoming: Wonja

Bside Incoming: Wonja This episode of Bside Incoming is the Californian creation of a New Englander. An artist with an original sound, excellent taste, and as always, an incredible collection of music. Wonja The journey began with her formative experience on local and college radio, where a community of like minded music lovers helped to expand Wonja’s sonic horizons. While house and techno form the basis of her live DJ sets she has an intriguing specialist subject: Gamelan, a percussive genre based on the use of metallophone and wood instruments. Her audiences are usually small, intimate, and local. So it’s a pleasure to transport her intriguing style beyond its ordinary confines. If you like the taste of this, be sure to tune into her Do/While mixtape with DJML. The duo are soon to release an LP on Soda Gong as Motoko and Myers. We’ve got our ears to the ground for this one! https://soundcloud.com/wonj?fbclid=IwAR0PRI6FNHzvLlBCJYRR2seEnpbhZnXIAS1gHhZT9PcqVcvZmVDmOjrjwYU Starting out with extra-terrestrial sounds, slowly winding down to the ground. Eerie beats, relaxing ambiance, nostalgically natural sounds, and splash of spoken word. Check her soundcloud here - https://soundcloud.com/wonj And her amazing Do/While series - https://soundcloud.com/wonj/sets/do-while Thanks to Molly Hickey for the beautiful artwork as always. www.instagram.com/mollyth.art/ Follow the Bside instagram for updates/news/vinyl and general music chat - www.instagram.com/bsidepodcasts/

Om Podcasten

Bside podcasts DJ's showcase and speak a little about their favourite tracks from the B-side of their records. We endeavour to broadcast the best of the B-side: a bi-weekly invitation into the impressive record collections of some of our favourite selectors. An exploration into the the back-catalogues, the deepest depths, the darkest crevices of their collections. Returning with the spoils of this venture: their most cherished records and hidden gems, from the go-to club weapons to the rarely heard home-listening records, and everything in between. Music is for sharing. 'By the early sixties, the song on the A-side was the 'hit' song that the record company wanted radio stations to play. The B-side would contain less radio friendly and less popular tracks. In our eyes the B-side is a true reflection of the producers taste in music, there is more personality on that side of the record'.