Ep. 25 Eva Crystaltips

Follow us on Facebook to keep up with Bside news - www.facebook.com/BsidePodcasts/ Follow the instagram for updates/news/vinyl and general music chat - www.instagram.com/bsidepodcasts/ For Ep. 25 we welcome the 3rd French selector onto the show - Eva Crystaltips. Rising fast through the ranks on the UK disco circuit, Eva has had an impressive year, gaining nationwide recognition for her skill, selection and finesse behind the decks. With sets at Lost Village Festival, Ministry of Sound, Snowbombing and most notably, a huge gig at London's five thousand capacity venue Printworks, she has gained support from Artwork, Peggy Gou and Honey Dijon and share the stage with disco heavyweights including Horse Meat Disco, Hot Chip and Greg Wilson. Her Bside mix stays true to her style, infusing a mix of old original classics to the newer modern edits and remixes which both deliver a dose of nostalgia while keeping the floor guessing with her ever expanding collection of contemporary funk, soul, house and disco. Her energetic blend of the undeniable classics and fresh disco edits brings a dose of nostalgia and an element of the unpredictable to keep any audience on their toes. Big up to House of Gods as ever for hosting this wonderful evening in their lovely cocktail bar, and of course thanks to Holly Mickey for the beautiful artwork.www.instagram.com/mollyth.art/

Om Podcasten

Bside podcasts DJ's showcase and speak a little about their favourite tracks from the B-side of their records. We endeavour to broadcast the best of the B-side: a bi-weekly invitation into the impressive record collections of some of our favourite selectors. An exploration into the the back-catalogues, the deepest depths, the darkest crevices of their collections. Returning with the spoils of this venture: their most cherished records and hidden gems, from the go-to club weapons to the rarely heard home-listening records, and everything in between. Music is for sharing. 'By the early sixties, the song on the A-side was the 'hit' song that the record company wanted radio stations to play. The B-side would contain less radio friendly and less popular tracks. In our eyes the B-side is a true reflection of the producers taste in music, there is more personality on that side of the record'.