Ep. 28 Nathan Micay

Episode 28 - Nathan Micay Follow the instagram for updates/news/vinyl and general music chat - www.instagram.com/bsidepodcasts/ Follow the facebook here - www.facebook.com/BsidePodcasts/ We are so excited to finally bring this episode to you all (it is definitely episode 28 so just ignore Stephens intro) and we can quite safely say this is one of the best yet. Nathan brought an incredible selection with him, including some seriously rare tunes, down to the institution that is Rubadub to record his Bside. Before going B2B with his good friend Avalon Emerson all night long at La Cheetah Club! If you don’t already know him, you will have more than likely heard his music played at clubs and festivals over the last couple of years. Tracks like The Party We Could Have and Beginning Ballads have been a staple of many sets throughout Europe and beyond. Having released under the alias Bwana since 2011, originally producing post-dubstep and moving towards housey vibes, Nathan rebranded to his own name. Since then he has released countless remix’s/edits, multiple EPs, his debut album Blue Spring on the amazing LuckyMe and has set up 3 record labels - Schvitz Edits, Eternal Schvitz and Original Schvitz. This is Nathan's unofficial audition for BBC Radio 1, and we think he absolutely smashed it! Expect some of the best trance ever to grace your earholes, some wicked breaks and garage and of course a bit of Joni Mitchell because Canada🇨🇦 Big shouts to the guys at Rubadub for having us, and of course thanks to Holly Mickey for the beautiful artwork www.instagram.com/mollyth.art/

Om Podcasten

Bside podcasts DJ's showcase and speak a little about their favourite tracks from the B-side of their records. We endeavour to broadcast the best of the B-side: a bi-weekly invitation into the impressive record collections of some of our favourite selectors. An exploration into the the back-catalogues, the deepest depths, the darkest crevices of their collections. Returning with the spoils of this venture: their most cherished records and hidden gems, from the go-to club weapons to the rarely heard home-listening records, and everything in between. Music is for sharing. 'By the early sixties, the song on the A-side was the 'hit' song that the record company wanted radio stations to play. The B-side would contain less radio friendly and less popular tracks. In our eyes the B-side is a true reflection of the producers taste in music, there is more personality on that side of the record'.