Milly Peck and I talk about being back in the studio after what felt to her like an interminable long weekend. We talk about crazy paving and marking time by making paths with rubble. We talk about graphic gaps and borders around things and hating soil and ski gloves. We talk about drawing and Milly gets into the drawings she's been making as an opportunity to explore things she wouldn't in sculpture. We talk about playing with shadows and not still life. We talk about how Milly works site specifically and how she relies on using the memory as stand in for looking too much. We talk about her process of cutting things away, off cuts and graphic shapes and touch on how she uses paint, which came in handy when her mum spilled wine on her work! We talk about fake food, going through the motions and beveled edges. We think about the objects and motifs that appear often in her work - things with volumes that can contract and expand. We mention function, the genius of Alan Ayckborn and stage sets. We talk about the visual mind map on Milly's studio wall joining the dots between Edward Hopper, Mantegna and comics. We end on dogs keeping you normal and being good on your own.
Untitled. Drawing made in lockdown. a3 size 29 x 42cm. Coloured pencil on paper