DZ-101 Creating Immediacy & Anchoring Action on the Page

What can we learn by analysing how ‘oners’ are written on the page? Chas, Stu and Mel reunite to talk about writing the *feel* of camerawork in screenplays. We use “oners” — a long-playing continuous take — as a lens to talk about how some writers have “directed” from the page. We talk immediacy, camera positions, handovers, and anchoring action and more. We breakdown the famous Copacabana shot from GOODFELLAS, the awe-inspiring chase sequence from THE ADVENTURES OF TINTIN, and the heart pounding ‘Zed attack’ from CHILDREN OF MEN. We also briefly discuss THE BOURNE IDENTITY, HEREDITARY, THE BEAR, ALL THE PRESIDENTS MEN and TOUCH OF EVIL. And we do this breakdown by closely reading the actual words on the page. So thanks to Meegan May (of Starship Q Star) for performing the big print / action lines. Script Pages available on our Patreon. Thanks to Chris Walker for editing this episode. As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes. CHAPTERS 00:00:13 - Cold Open 00:00:23 - ScriptUp Sponsorship 00:00:33 - New Chapter 00:01:58 - Intro: Camerwork on the page 00:09:50 - Contrary Examples: The Bourne Identity and Hereditary 00:13:15 - Narrative Purpose and Oners 00:16:30 - Goodfellas (intro) 00:16:57 - Goodfellas (excerpt) 00:18:22 - Goodfellas (discussion) 00:32:48 - The Adventures of Tintin (intro) 00:34:14 - The Adventures of Tintin (excerpt) 00:37:23 - The Adventures of Tintin (discussion) 00:49:34 - Children of Men (intro) 00:53:38 - Children of Men (excerpt) 01:00:32 - Children of Men (discussion) 01:12:24 - Key Learnings and Wrap Up SCENE EXCERPTS via Patreon: https://www.patreon.com/posts/dz-101-script-85503252 DZ Instagram: https://www.instagram.com/draft_zero/ SZ Instagram: https://www.instagram.com/_shotzero/ DZ Twitter: https://twitter.com/draft_zero SZ Twitter: https://twitter.com/_shotzero LINKS WATCH: Goodfellas, The “Copacabana” shot - https://youtube.com/watch?v=OJEEVtqXdK8 WATCH: The Adventures of TinTin, “Get that bird!” - https://youtube.com/watch?v=ryB-3BRdd64 WATCH: Children of Men, “Zed’s attack” - https://youtube.com/watch?v=YMM8XrZe1R8 WATCH: The Bourne Identity, “Escaping The American Embassy” - https://youtube.com/watch?v=tqsUt9n13Gg WATCH: All The President’s Men, “The Dahlberg Scene” - https://www.youtube.com/watch?v=Qeemjaosp-E WATCH: Every Frame A Painting - The Spielberg Oner: https://www.youtube.com/watch?v=8q4X2vDRfR LISTEN: Starship Q Star: https://starshipqstar.com LINKS WATCH: Goodfellas, The“Copacabana” shot - https://youtube.com/watch?v=OJEEVtqXdK8 WATCH: The Adventures of TinTin, “Get that bird!” - https://youtube.com/watch?v=ryB-3BRdd64 WATCH: Children of Men, “Zed’s attack” - https://youtube.com/watch?v=YMM8XrZe1R8 WATCH: The Bourne Identity, “Escaping The American Embassy” - https://youtube.com/watch?v=tqsUt9n13Gg WATCH: All The President’s Men, “The Dahlberg Scene” - https://www.youtube.com/watch?v=Qeemjaosp-E WATCH: Every Frame A Painting - The Spielberg Oner: https://www.youtube.com/watch?v=8q4X2vDRfR LISTEN: Starship Q Star: https://starshipqstar.com RELATED EPISODES DZ-60: Unfilmables and Unscriptables (Part 1) - Engaging imagination DZ-61: Unfilmables and Unscriptables (Part 2) - Moments of Awe DZ-62: Unfilmables 3 – As Ifs & Emotional context DZ-16: Masters of Time and Whitespace This episode brought to you by (drum roll): ScriptUp: https://www.scriptupstudio.com – use promo code DZ10 to get 10% off And how can we forget our awesome Patreons, especially Lily,  Alexandre, Casimir, Eduardo, Jennifer, Thomas, Garrett, Randy, Jesse, Sandra, Theis, Alex, and Khrob. Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis, and @chasffisher on twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter. BUY DRAFT ZERO MERCH via TeePublic

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Two emerging screenwriters – Chas Fisher and Stuart Willis – try to work out what makes great screenplays work. Discovering what it takes by analysing what successful writers put on the page.