299 - Cruella

Disney's latest update of its back catalogue sees Emma Stone bring punk rock to Sixties London in Cruella, a beautiful, stylish, but clunky affair. Like Maleficent before it, Cruella offers an origin story to a key Disney villain: Estella, as she's named when we meet her, takes a circuitous route to her destiny as a star fashion designer, grifting with friends to make ends meet, and waging war on the leading fashionista of the day, Baroness von Hellman - played by a fabulously wicked Emma Thompson. Oh, and there are some Dalmatians involved. We discuss the quality and intentions of Cruella's characterisation and Stone's performance, the conspicuously expensive soundtrack, the use of CGI animals, whether the film is as queer as some of the hype has suggested, the role of men and masculinity, and why it is that fashion movies are one of very few areas in cinema where women get to play fun villains like the Baroness. Cruella is an imperfect film, less than the sum of its parts - but at their best, those parts are worth it for their own sake. Recorded on 3rd June 2021.

Om Podcasten

"I have this romantic idea of the movies as a conjunction of place, people and experiences, all different for each of us, a context in which individual and separate beings try to commune, where the individual experience overlaps with the communal and where that overlapping is demarcated by how we measure the differing responses between ourselves and the rest of the audience: do they laugh when we don’t (and what does that mean?); are they moved when we feel like laughing (and what does that say about me or the others) etc. The idea behind this podcast is to satiate the urge I sometimes have when I see a movie alone – to eavesdrop on what others say. What do they think? How does their experience compare to mine? Snippets are overhead as one leaves the cinema and are often food for thought. A longer snippet of such an experience is what I hope to provide: it’s two friends chatting immediately after a movie. It’s unrehearsed, meandering, slightly convoluted, certainly enthusiastic, and well informed, if not necessarily on all aspects a particular work gives rise to, certainly in terms of knowledge of cinema in general and considerable experience of watching different types of movies and watching movies in different types of ways. It’s not a review. It’s a conversation." - José Arroyo. "I just like the sound of my own voice." - Michael Glass.