The Saga of Eric the Unlucky

The Saga of Eric the Unlucky examines Rider Haggard's use of medieval narrative techniques in his novel Eric Brighteyes. In The Saga of Eric the Unlucky, Jane Bliss examines Rider Haggard's use of medieval narrative techniques in his nineteenth-century novel The Saga of Eric Brighteyes. He exploits the paratactic narrative style familiar from chronicle history; he also uses a typical and often very effective tense-switching from past to present and back, to bring scenes to life. The story is enlivened with his own verses, composed with a traditional alliterative style in mind. Jane Bliss is an independent scholar; she has written on several aspects of medieval literature, and runs an Anglo-Norman Reading Group in Oxford.

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Fantasy Literature has emerged as one of the most important genres over the past few decades and now enjoys extraordinary levels of popularity. The impact of Tolkien’s Middle-earth works and the serialisation of George Martin’s ‘Game of Thrones’ books has moved these and their contemporaries into mainstream culture. As the popularity grows so does interest in the roots of fantasy, the main writers and themes, and how to approach these texts. Oxford is a natural home to fantasy literature with those who worked or studied here having written so many famous and influential texts (e.g. Lewis Carroll (C. L. Dodgson), C. S. Lewis, J. R. R. Tolkien, Susan Cooper, Diana Wynne Jones, Alan Garner, and Philip Pullman to name but a few) – leading to the notion of an ‘Oxford School of Fantasy’. These lectures, short talks, and interviews seek to take listeners into these works and these writers and beyond. All material released under Creative Commons BY-NC-SA 2.0 https://creativecommons.org/licenses/by-nc-sa/2.0/ . [Artwork by Minjie Su.]