Todd Haynes: Avant-garde with Heart

Todd Haynes is co-host Dolores McElroy’s “favorite living director” for his films’ “meticulousness” and “visual splendor,” but above all the way he loves his subjects and makes them “vibrant and romantic”! Dressed for life at the front of a classroom, Haynes always projects the air of a nice, well-adjusted teacher--and indeed, he figured he’d wind up as a teacher who made experimental films on the side. But he made a splash in the late 1980s film world with his surprisingly moving film Superstar: The Karen Carpenter Story, done in stop-motion animation using Barbie dolls as his cast, quickly became a leading light of the New Queen Cinema movement with his film Poison under conservative right-wing attack, and he’s been with us as a fascinating filmmaker ever since, with films as varied in content and approach as Safe, Far From Heaven, I’m Not There, Mildred Pierce, Carol, Wonderstruck, Dark Waters, and the new documentary The Velvet Underground.      [MIND THE GAP: We got so embroiled in talking about Haynes, we talked right through a gap in the sound around the ten-minute mark. Just keep on listening, we come back strong!]  

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Support us on Patreon.com/filmsuck for bonus episodes and more perks! In this podcast for the people, we bring you the truth about the rotten state of cinema, its often odious or ham-fisted relationship to politics, and its occasional wondrous bursts of courage and brilliance. Filmsuck is a bi-weekly podcast hosted by Eileen Jones, film critic at Jacobin magazine and recovering academic, and Dolores McElroy, diva enthusiast and lecturer in film and media at UC Berkeley.