How We Hear Shakespeare's Plays, with Carla Della Gatta
In Shakespeare’s time, people talked about going to hear a play and going to see one in equal measure. So, what exactly do we hear when we hear one of Shakespeare’s plays? What information do we gather from its words, music, or sound effects? What if it has been adapted, updated, or translated? We ask Dr. Carla Della Gatta of Florida State University, co-editor of the new book "Shakespeare and Latinidad." Her study of Spanish-language or bilingual Shakespeare productions has led her to think a lot about the act of listening to a play. She talks to Barbara Bogaev about the ways a production of Shakespeare can challenge us to hear in new ways. Dr. Carla Della Gatta is an assistant professor of English at Florida State University. She is the author of "Latinx Shakespeares: Staging U.S. Intracultural Theater," which will be published in 2022, and co-editor of "Shakespeare and Latinidad," released by Edinburgh University Press in June 2021. She is a past recipient of a Folger fellowship. From the Shakespeare Unlimited podcast. Published July 20, 2021. © Folger Shakespeare Library. All rights reserved. This podcast episode, “You Have Heard Much,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. We had technical help from Andrew Feliciano and Paul Luke at Voice Trax West in Studio City, California. Leonor Fernandez edits a transcript of every Shakespeare Unlimited episode, available at folger.edu.