Episode 238: Dante and Eros Faulk (Old Time, Celtic, and Original Cello and Fiddle Music)

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends. This week’s friends are Dante & Eros Faulk! We recorded this a couple weeks ago over Skype and I recorded my musical parts afterwards. Tunes and songs in this episode: Billy in the Lowground Lost Shades The Star of Munster Artisanal Grilled Cheese O’Sullivan’s March / Hangman’s Reel Bonus track: Mirage Get Up in the Cool is brought to you in part this week by the Handmade Music School in Floyd Virginia. Now offering virtual private lessons and a weekly workshop series celebrating the musical traditions of the Blue Ridge Mountains. Announcing the Southwest Virginia Traditional Music Contest accepting video entries until March 20th, and the Virtual Old Time Music Get Together on March 27th featuring live workshops and performances by Jake Blount, Nora Brown, Mac Traynham, Becky Hill and more! Details at www.handmademusicschool.com. Visit Dante & Eros Faulk’s website to buy their albums, watch their videos, and check their performance dates: https://www.danteanderos.com/ Follow them on Instagram: https://www.instagram.com/dante_and_eros_faulk/ Like and follow them on Facebook: https://www.facebook.com/danteanderosfaulk/ Check Out the Handmade Music School for their upcoming workshops, contests, and performances: www.handmademusicschool.com Support Get Up in the Cool on Patreon: https://www.patreon.com/getupinthecool Buy Get Up in the Cool merch like t-shirts, phone cases, and masks! https://teespring.com/new-get-up-in-the-cool-swag Sign up at https://www.pitchforkbanjo.com/ for my clawhammer instructional series! Check out Cameron’s other podcast, Think Outside the Box Set: https://boxset.fireside.fm/Support Get Up in the Cool

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Get Up in the Cool features conversations and musical collaborations with some of Old Time music's heaviest hitters, like Ken Perlman, Adam Hurt, Spencer & Rains, and Jake Blount. As an interviewer, Cameron balances an effusive curiosity for the potential of traditional music with a dogged respect for its origins. Serving as audience surrogate, Cameron asks illuminating questions to Old Time's best and brightest while telling the larger story of the tradition's modern era.