Unlocking the Door Between Escape Rooms and Immersive Theater

I used to think escape rooms were gimmicky activities where everyone scrambled to solve puzzles while I stood around feeling useless. On the other hand, I love immersive theater, where an interactive play unfolds as you walk through a space. I thought they were very different types of live entertainment. Not anymore. I talk with David and Lisa Spira from the site Escape Room Artist and podcast Reality Escape Pod about how escape rooms are becoming emotionally resonant, sophisticated theatrical works. We go through the haunted escape room Ghost Light at MyssTic Rooms, and I talk with their co-founder and artistic director Gara Roda. Haley E.R. and J. Cameron Cooper of Strange Bird Immersive discuss the innovative ways they designed The Man From Beyond, their Houdini-themed séance escape room. Plus, Victor van Doorn and Francine Boon of the company Sherlocked explore how far they can go in creating a sense of authenticity from the feel of the props to the actors who won’t admit you’re entering an escape room. This episode is sponsored by ShipStation and Hims Go to shipstation.com and use the code IMAGINARY to sign up for your free 60-day trial. Start your free online visit with Hims at hims.com/imaginary. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Om Podcasten

Imaginary Worlds sounds like what would happen if NPR went to ComicCon and decided that’s all they ever wanted to cover. Host Eric Molinsky spent over a decade working as a public radio reporter and producer, and he uses those skills to create thoughtful, sound-rich episodes about science fiction, fantasy, and other genres of speculative fiction. Every other week, he talks with comic book artists, game designers, novelists, screenwriters, filmmakers, and fans about how they craft their worlds, why we suspend our disbelief, and what happens if the spell is broken. Imaginary worlds may be set on distant planets or parallel dimensions, but they are crafted here on Earth, and they’re always about us and our lived experiences.