464: Single takes: Aliens on Sodor

This week, Christian Cawley and James McLean mull over the impact of the single take shot in new Netflix drama Adolescence. Single takes, also known as one-shots and continuous shots, have appeared in many movies and TV shows, from Marvel's Daredevil to Alfred Hitchcock's Rope to Orson Welles' Touch of Evil, and many other besides. It has been technically difficult to achieve, especially for British TV, but we wonder if its employment in this series might inspire similar approaches from directors. Oddly, we also talk about Thomas the Tank Engine's geography, and the 1986 sequel to Alien, James Cameron's Aliens. Patreon edition For patrons, we also have an extended edition, which looks more at the long takes in Adolescence and their potential impact from a cinematography and narrative point of view. Our Patreon is free -- you can sign up at www.patreon.com/kasterborous to get episodes early, ad-free, and extended. Shownotes Aliens Thomas the Tank Engine Adolescence Get in touch Subscribe to our podcast? Then head to Apple Podcasts to leave a rating and review. Any new reviews will be read out. Not on Apple Podcasts? Leave us a review somewhere else, send the link over on Twitter or Facebook or editor@kasterborous.co.uk, and you’ll get a mention.

Om Podcasten

Regular podcast featuring unique and in-depth discussions covering Doctor Who and other classic TV and movies, usually in the sci-fi and sci-fantasy fields. Launched in 2007, we've lost count of how many episodes we've actually done. Special episodes include interviews with creatives, writers, actors, and notable commentators in the cult TV field. Your regular hosts are Christian Cawley and James McLean.