S3 E17: What is it like to watch "Hamilton" in 2020?

When the musical “Hamilton” first came out, all four of us were in our early 20s, trying to find our own place in a new country. We found hope and inspiration in the story of Alexander Hamilton as told by the musical—the story of a young, ambitious immigrant who became a hero of the American revolution. This past July 4th weekend, a original Broadway production of “Hamilton'' streamed on Disney+ for the first time ever. Also on the same weekend, President Trump gave a speech in front of Mt. Rushmore, claiming "a left-wing cultural revolution is designed to overthrow the American Revolution."What is it like to watch “Hamilton” in 2020, when a celebration of “American progress” seems unfit for the time we are living in? For this episode, we invited our friend Yangyang Cheng, particle physicist and writer, to talk about the musical and what changed between then and now. In this episode you’ll hear: Why do we think “Hamilton” is a product of the Obama era and “an embodiment of its triumph and aspiration, as well as its limits and deception”  How have our own beliefs in meritocracy and the American dream changed in Trump’s America? The limit of representation and diversity--why we must move beyond celebrating diversityRethinking American history: the 1619 project vs. HamiltonWhy do we say that “Hamilton” is a cultural product of the pre-MeToo era?About our guest:Yangyang Cheng is a particle physicist and a postdoctoral research associate at Cornell University. She also writes the “Science and China” column at SupChina. She has previously been on Loud Murmurs to talk about HBO’s drama “Chernobyl.” Listen to that episode here. links:Yangyang’s July column: Watching Hamilton at the End of the World https://supchina.com/2020/07/29/watching-hamilton-at-the-end-of-the-world/The “1619 Project”https://www.nytimes.com/interactive/2019/08/14/magazine/1619-america-slavery.htmlIshmael Reed’s criticism of “Hamilton” when it first came out https://www.counterpunch.org/author/q7dru/https://www.theguardian.com/commentisfree/2020/jul/28/tom-cotton-1619-project-cancel-cultureWhen a weasel shut down the world’s most powerful particle collider https://www.npr.org/sections/thetwo-way/2016/04/29/476154494/weasel-shuts-down-world-s-most-powerful-particle-colliderFind Loud Murmurs in the iTunes podcast store, Google Play, Spotify, and wherever you listen to podcasts (e.g. Pocket Casts, Overcast)! Please subscribe, enjoy, and feel free to drop us a note and leave us a review. RSS feed: https://feeds.buzzsprout.com/258327.rss Itunes: https://apple.co/2VAVf0Z Google play: goo.gl/KjRYPN Spotify: https://spoti.fi/2IWNuRB Stitcher: https://www.stitcher.com/s?fid=544416&refid=stpr Pocket Cast: http://pca.st/nLid Overcast: Support the show (https://www.patreon.com/loudmurmurs)

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Loud Murmurs is a Mandarin-Chinese podcast about American pop culture, brought to you by four bilingual and bi-cultural women in the U.S. and their friends. We discuss movies, TV, documentaries, and the social, political issues reflected on by a piece of pop culture work. Too often, race, gender and other political and cultural issues are the subtext in pop culture. We seek to make the subtext explicit, question it and challenge it. The show is now in its third season, updated biweekly. We have interviewed guests ranging from science fiction writers, comedians, to scholars and journalists. Our goal is to make the most thought-provoking Chinese podcast about American pop culture. 小声喧哗是一档以女性视角来观察和批判影视文本如何塑造世界的播客。《小声喧哗》Loud Murmurs, 是一档以女性视角来观察和批判影视文本如何塑造世界的播客。文化和审美的自觉认同从来都是隐含在创造者对世界的想象中,而这样的想象催生出许多充满偏见的创造动机。这样的创造动机渗透在我们日复一日热爱的欧美电影中,美剧里,渗透在我们对于事物的认知中。今天,我们想要去挑战它。紧跟影视热点和时事的同时,保持了双周频率的持续输出。在制作节目时,小声喧哗经常邀请学者和影评人参与我们的节目,使节目的观点更加多元化和专业。小声喧哗致力在中文世界,做最好的流行文化播客。