Ep 8: Hollywood Nocturne -- Classic Film Noir Scores, with Steven C. Smith (Part 2)

Part 2 of our survey of film noir musical scores and their composers, with Emmy-nominated producer and author Steven C. Smith, covers the following composers and film scores: Bernard Herrmann - Concerto Macabre Part 1 (1:55), Part 2 (9:50), from Hangover Square Max Steiner - White Heat (18:55) Alfred Newman - Cry Of The City (22:20) Max Steiner - Treasure of the Sierra Madre (25:10), Mildred Pierce (27:25) Franz Waxman - Sunset Blvd (31:10) Dmitri Tiomkin - Angel Face (37:50) Bernard Herrmann - On Dangerous Ground (41:50) David Raksin - The Big Combo (47:00) Arthur Schwartz - The Band Wagon (MGM musical noir parody) (49:30) NOIR CITY DC schedule and ticket info available here: http://afi.com/silver/films/2017/p83/headnotes.aspx#noir-city-dc The FNF is co-presenting a screening of Gaslight at AFI Silver with a post-movie discussion panel on "gaslighting": https://silver.afi.com/Browsing/Movies/Details/m-0100000121 Steven C. Smith's "Bernard Herrmann and the Music of Desire: An essay on the Composer’s Noir soundtracks" from NOIR CITY #3: http://www.noircitymag.com/noir_city_3.html A Heart At Fire's Center: The Life And Music Of Bernard Herrmann: https://www.amazon.com/Heart-Fires-Center-Bernard-Herrmann/dp/0520229398 Woody Haut's "On The Down Beat: Investigating the Special Relationship Between Film Noir and Jazz" from NOIR CITY #15: http://www.noircitymag.com/noir_city_15.html Please send us any feedback you have on our show to podcast@filmnoirfoundation.org. Intro music: Theme from Kansas City Confidential, by Paul Sawtell. Exit music: Theme from Chinatown, by Jerry Goldsmith.

Om Podcasten

NOIR TALK is a podcast devoted to discussing the Film Noir Foundation. It is the foundation’s mission to find and preserve noir films in danger of deterioration, damage or loss, and to ensure that high quality prints of these classic films remain in circulation for theatrical exhibition to future generations. The views and opinions of guests do not necessarily reflect those of the Film Noir Foundation, or its directors and advisors.