Theatre Work: Reimagining the Labor of Theatrical Production

There is a common sentiment that working in the arts is exceptional. It’s not just a workplace, it’s a passion. But loving it doesn’t change the fact that it’s a job. In Theatre Work: Reimagining the Labor of Theatrical Production, Brídín Clements Cotton and Natalie Robin investigate the question of artmaking, specifically theatrical production, as work. When the art is the work, how do employers navigate the balance between creative freedom and consistent personnel processes that promote accessibility, equity, and sustainability? Do theatrical production operations value the worker? Celebrating the release of the book, this event features a conversation with the authors about these questions and beyond. Speakers Brídín Clements Cotton, Co-author, "Theatre Work: Reimagining the Labor of Theatrical Production" (Focal Press, 2024); Instructor of Stage and Project Management, NYUAD Natalie Robin, Co-author, "Theatre Work: Reimagining the Labor of Theatrical Production" (Focal Press, 2024); Organizer, United Scenic Artists / IATSE Local USA 829 Moderated by Ntshadi Mofokeng, Cultural Worker Delaney Teehan, Stage and Production Manager

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The NYUAD Institute is a center of advanced research, scholarly and creative activity, and public workshops. Institute programs facilitate discussion between academics, students, professionals, and leaders from the UAE and from around the world.