Are AI art and music really just noise? (Eryk Salvaggio)
In this episode, host Mack Hagood dives into the world of AI-generated music and art with digital artist and theorist Eryk Salvaggio. The conversation explores technical and philosophical aspects of AI art, its impact on culture, and the ‘age of noise’ it has ushered in. AI dissolves sounds and images into literal noise, subsequently reversing the process to create new “hypothetical” sounds and images. The kinds of cultural specificities that archivists struggle to preserve are stripped away when we treat human culture as data in this way. Eryk also shares insights into his works like ‘Swim’ and ‘Sounds Like Music,’ which test AI’s limitations and forces the machine to reflect on itself in revealing ways. Finally, the episode contemplates how to find meaning and context in an overwhelming sea of information. Eryk Salvaggio is a researcher and new media artist interested in the social and cultural impacts of artificial intelligence. His work explores the creative misuse of AI and the transformation of archives into datasets for AI training: a practice designed to expose ideologies of tech and to confront the gaps between datasets and the worlds they claim to represent. A blend of hacker, researcher, designer and artist, he has been published in academic journals, spoken at music and film festivals, and consulted on tech policy at the national level. He is a researcher on AI, art and education at the metaLab (at) Harvard University, the Emerging Technology Research Advisor to the Siegel Family Endowment, and a top contributor to Tech Policy Press. He holds an MSc in Media and Communications from the London School of Economics and an MSc in Applied Cybernetics from the Australian National University.Works discussed in this podcast: The Age of Noise (2024)SWIM (2024): A meditation on training data, memory, and archives.Sounds Like Music: Toward a Multi-Modal Media Theory of Gaussian Pop (2024)How to Read an AI Image (2023)You can learn more about Eryk Salvaggio at cyberneticforests.comLearn more about Phantom Power at phantompod.org Join our Patreon at patreon.com/phantompowerTranscription by Katelyn Phan00:00 Introduction and Podcast News 03:24 Introducing Eryk Salvaggio, AI Artist and Theorist 05:33 Understanding the Information Age and Noise 09:14 The Diffusion Process and AI Bias 33:35 Ethics of AI and Data Curation 39:09 Exploring the Artwork ‘Swim’ 45:16 AI in Music: Platforms and Experiments 01:00:04 Embracing Noise and ContextTranscriptEryk Salvaggio: I think as consumers of the music generated by AI, that’s the thing that I want to think about is as a listener, what am I hearing and how do I listen like meaningfully to a piece of AI music that essentially has no meaning. Introduction: This is Phantom Power. Mack Hagood: Welcome to another episode of Phantom Power, the show where we dive deep into sound studies, acoustic ecology, sound art, experimental music, all things sonic. I’m Mack Hagood. Today we’re talking to the digital artist and theorist, Eryk Salvaggio. We’ll be diving into the question of what is AI art and AI music? And we’re going to attack this question on both the technical and the philosophical level. We’re also going to talk about how to live in what Eryk calls, “the age of noise”. It’s a really interesting conversation,