Ep. 18: Screwed and Chopped (Re-cast)



Today we re-cast one of our favorite episodes, an interview with folklorist and Houston native Langston Collin Wilkins, who studies "slab" culture and the "screwed and chopped" hip hop that rattles the slabs and serves as the culture's soundtrack.

Since the 1990s, many of Houston’s African American residents have customized cars and customized the sound of hip hop. Cars called “slabs” swerve a slow path through the city streets, banging out a distinctive local music that paid tribute to those very same streets and neighborhoods.

Wilkins shows us how sonic creativity turns a space—a collection of buildings and streets—into a place that is known, respected, and loved.

In this show we hear the slow, muddy, psychedelic sounds of DJ Screw and The Screwed Up Click, including rappers such as Lil Keke, Fat Pat, Big Hawk, and UGK--as well as songs by Geto Boys, Willie Dee, SwishahousePoint Blank, Biggie Smalls, and MC T Tucker & DJ Irv.

Photos by Langston Collin Wilkins.

Transcript

[low humming and static playing]

[CRIS CHEEK]

This…is…Phantom Power.

[Tamborine beat blends in]

Episode 7: Screwed and Chopped.

[Hip hop music with vocals cuts in]

Parental discretion is advised. Welcome to Phantom Power. I’m cris cheek. Today on the seventh and final episode of our first season, my co-host Mack Hagood converses with Langston Collin Wilkins. Langston is a folklorist an ethnomusicologist active in both academia and the public sector. Working as a traditional art specialist at the Tennessee Arts Commission. Mack spoke with Langston recently about his research into Houston’s unique slab, car culture. The city’s relationship to hip hop and hip hop’s to community. Enjoy.

[Different hip hop music plays]

[MACK HAGOOD]

So before we get into the research of Langston Collin Wilkins, maybe we should get one question out of the way. Why would a folklorist be studying hip hop? Don’t they study things like folk tales or traditional music or quilting? Well, in fact the folklorist I know study things like bodybuilding and fashion and internet memes. Folklorists study everyday creativity. One contemporary definition of folklore is “artistic communication in small groups.” As Langston shows, it’s the way a town like Houston gets a look and a sound all its own, but folklore didn’t lead Langston to hip hop. In fact, it was quite the other way around.

[Hip hop music cuts out]

[LANGSTON COLLINS WILKINS]

Back when I was a kid, around 12 years old, I received my first hip hop record, which was the “Ghetto Boys Resurrection Album”  in 1996.

[A song from the album plays]

Born and raised in Houston, Texas, the south side, where Scarface is from that same area. The Ghetto Boys in my hometown heroes as they are for everyone growing up in Houston in those communities.

Om Podcasten

Sound is all around us, but we give little thought to its invisible influence. Dr. Mack Hagood explores the world of sound studies with the world's most amazing sound scholars, sound artists, and acoustic ecologists. How are noise-cancelling headphones changing social life? What did silent films sound like? Is listening to audiobooks really reading? How did computers learn to speak? How do race, gender, and disability shape our listening? What do live musicians actually hear in those in-ear monitors? Why does your office sound so bad? What are Sound Art and Radio Art? How do historians study the sounds of the past? Can we enter the sonic perspective of animals? We've broken down Yoko Ono's scream, John Cage's silence, Houston hip hop, Iranian noise music, the politics of EDM, and audio ink blot tests for blind people. Phantom Power is the podcast that both newcomers and experts in sound studies, sound art, and acoustic ecology listen to--combining intellectual rigor and great audio.