Sonic AI: Steph Ceraso & Hussein Boon

Help grow the show:Subscribe to Phantom PowerJoin our Patreon and get perks + merchRate us easily on your platform of choiceToday we hear two scholars reading their recent work on artificial intelligence. Steph Ceraso studies the technology of “voice donation,” which provides AI-created custom voices for people with vocal disabilities. Hussein Boon contemplates the future of AI in music via some very short and thought-provoking fiction tales. And we start off the show with Mack reflecting on how hard the post-shutdown adjustment has been for many of us and how that might be feeding into the current AI hype.  For our Patreon members we have “What’s Good” recommendations from Steph and Hussein on what to read, listen to, and do. Join at Patreon.com/phantompower. About our guests:Steph Ceraso is Associate Professor of Digital Writing & Rhetoric in the English Department at the University of Virginia. She’s one of Mack’s go-to folks when trying to figure out how to use audio production in the classroom as a form of student composition. Steph’s research and teaching interests include multimodal composition, sound studies, pedagogy, digital rhetoric, disability studies, sensory rhetorics, music, and pop culture. Hussein Boon is Principal Lecturer at the University of Westminster. He’s a multi-instrumentalist, session musician, composer, modular synth researcher, and AI researcher. He also has a vibrant YouTube presence with tutorials on things like Ableton Live production. Pieces featured in this episode: “Voice as Ecology: Voice Donation, Materiality, Identity” by Steph Ceraso in Sounding Out (2022). “In the Future” by Hussein Boon in Riffs (2022). Mack also mentioned in his rant: “Embodied meaning in a neural theory of language” by Jerome Feldman and Srinivas Narayanan (2003). “The Contemporary Theory of Metaphor” by George Lakoff (1992). Today’s show was produced and edited by Ravi Krishnaswami. Transcript[7:22]: Steph Ceraso, Voice As Ecology: Voice Donation, Materiality, Identity [24:10] Hussein Boon, Public Access File Trading [26:26] Hussein Boon, Better Than Mininum Wage: Working For The Man  [30:10] Hussein Boon, Tinkering At The Edges Ethereal Voice: This is Phantom Power. [Ethereal Music] Steph Ceraso: We must treat voice holistically. Voices are more than people, more than technologies, more than contexts, more than sounds.  Understanding voice means acknowledging the interconnectedness of these things and how that interconnectedness enables or precludes vocal possibilities. [Ethereal Music Fades] Mack Hagood: Welcome to another episode of Phantom Power, where artists and scholars talk about sound. I’m Mack Hagood.  It’s April, and for those of you in the world of academia, you know what that means. We’re in the final sprint, or maybe the death march, towards the end of the semester.  And for those of you who are students, you probably find that your plate is overloaded with all those final projects and exams to work on and study for. And for those of you who are faculty,

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Sound is all around us, but we give little thought to its invisible influence. Dr. Mack Hagood explores the world of sound studies with the world's most amazing sound scholars, sound artists, and acoustic ecologists. How are noise-cancelling headphones changing social life? What did silent films sound like? Is listening to audiobooks really reading? How did computers learn to speak? How do race, gender, and disability shape our listening? What do live musicians actually hear in those in-ear monitors? Why does your office sound so bad? What are Sound Art and Radio Art? How do historians study the sounds of the past? Can we enter the sonic perspective of animals? We've broken down Yoko Ono's scream, John Cage's silence, Houston hip hop, Iranian noise music, the politics of EDM, and audio ink blot tests for blind people. Phantom Power is the podcast that both newcomers and experts in sound studies, sound art, and acoustic ecology listen to--combining intellectual rigor and great audio.