Episode 175—What We Owe Each Other

In response to an excellent listener question, today we’re talking about how writers can approach asking potential agents about how they might handle specific aspects of their lives–whether that’s gender or sexual identity, disability, pregnancy or possible pregnancy, and much more–that could affect their publishing journey. We are in an age where all of us are growing increasingly vulnerable in different ways to what feels like a genuine fascist cultural backslide–this means that we all owe each other more solidarity, that our publishing relationships must account for the different ways in which we could become exposed to risk or harm. This is a big episode on “what we owe each other”: what agents owe writers, what publishers owe writers, what anyone who works in publishing owes anyone else in terms of helping all of us stay safe and protected from an increasingly dangerous world.

Om Podcasten

Print Run is a podcast created and hosted by Laura Zats and Erik Hane. Its aim is simple: to have the conversations surrounding the book and writing industries that too often are glossed over by conventional wisdom, institutional optimism, and false seriousness. We’re book people, and we want to examine the questions that lie at the heart of that life: why do books, specifically, matter? In a digital world, what cultural ground does book publishing still occupy? Whether it’s trends in the queries from writers that hit our inboxes or the social ramifications of an industry that pays so little being based in Manhattan, we’re here for it. Probably to laugh at it and call it names, but here for it nonetheless. Print Run is the happy-hour conversation after a long day at a catalog launch; it’s the bottle of wine you drink most of on a Tuesday when the manuscripts are no good. We’re for writers, for publishers, for anyone who’s opened a book and wanted to know—really know—what goes into getting the damn thing made. Join us. We’ll talk about the worst sex scene we’ve ever read and wonder aloud about how millennials will affect the books of the future. We’ll figure out why Jonathan Franzen wants to replace your child with a penguin and whether or not that penguin will be buying hardcovers when he grows up.