'The Road to Damascus' uses theater to confront white supremacy

The new one-woman play 'The Road to Damascus' reinterprets the biblical story of Saul and the tale of Little Red Riding Hood as an allegory for white complicity in the US prison system and the possibility of redemption through anti-racism. Creator and performer Kathy Randels joins Rattling the Bars to discuss her new work.Studio/Post-Production: Cameron GranadinoRead the transcript here: https://therealnews.com/the-road-to-damascus-uses-theater-to-confront-white-supremacyHelp us continue producing Rattling the Bars by following us and becoming a monthly sustainer: Donate: https://therealnews.com/donate-pod-rtb Sign up for our newsletter: https://therealnews.com/nl-pod-rtb Get Rattling the Bars updates: https://therealnews.com/up-pod-rtb Like us on Facebook: https://facebook.com/therealnews Follow us on Twitter: https://twitter.com/therealnewsBecome a supporter of this podcast: https://www.spreaker.com/podcast/rattling-the-bars--4799829/support.

Om Podcasten

Rattling the Bars puts the voices of the people most harmed by our system of mass incarceration at the center of our reporting on the fight to end it. The show was founded by the late Black Panther and political prisoner Marshall “Eddie” Conway, and is now hosted by Charles Hopkins, better known as Mansa Musa, who himself spent 48 years behind bars.

Rattling the Bars offers an honest look at the lives of prisoners, returning citizens, their families, and their communities. With Rattling the Bars, by presenting hard data and real-life stories, we examine and seek to shift public opinion around the misconception that incarceration, punishment, and increased policing make cities safer—the truth of which has been disproven by countless studies. The series examines the history and root causes of the current so-called justice system. It showcases individuals and communities nationwide who are grappling with real solutions to problems created by the prison-industrial complex.

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