E21 - Château des Charmes, Canada

In this 21st episode of Read Between the Wines, we are joined by Amélie Boury, the talented Winemaker and Vice President of Winemaking & Operations at Château des Charmes. Château des Charmes, established in 1978 by Paul Bosc, a fifth-generation French winegrower, has become one of Niagara's most iconic wineries. Paul and his family relocated to Niagara in the 1960s, driven by a vision of crafting exceptional wines in the region.  Amélie shares her insights on crafting unique wines in Niagara, including the distinct Gamay Noir Droit, Canada’s first vinifera vine, and the lesser-known Aligoté. Known for her direct and no-nonsense approach, Amélie provides an honest and captivating look into the art of winemaking, the challenges of working in Niagara’s cool-climate vineyards, and her passion for innovation. This episode offers listeners an engaging conversation with one of the rising stars in Canadian winemaking, while exploring the exceptional terroir of the St. David's Bench and Four Mile Creek sub-appellations. For more information about our podcast, visit us on the web:  https://readbetweenthewinespodcast.com  Follow us on Instagram:  https://www.instagram.com/betweenthewinesmedia  Connect with us on LinkedIn:  https://www.linkedin.com/company/read-between-the-wines     

Om Podcasten

Read Between the Wines Podcast is not really a podcast, it’s a repository of stories from the wine world. It is focused on the narratives behind the winemakers rather than wine scoring. Founded and hosted by Vino-enthusiast Pierre Ferland, it offers a different and refreshing concept in wine exploration. Each episode offers a unique perspective on vineyard’s tales, much like each vintage brings its own profile and personality to a blend. Some conversations will delve into winemaking techniques, while others will explore initiatives to preserve biodiversity and find solutions to combat climate change. From a consumer perspective, we are intrigued by how wine scoring has dominated the industry, leaving many enthusiasts perplexed by its intricacies yet still relying on a solitary number for their selections. We understand and respect the fact that a generous score can help move a few bottles and we won’t hold it against any wineries, but from a vintner and a winemaker perspective, we pose a pivotal question: what legacy do you wish to imprint upon your clientele? A numerical rating, or the compelling tale of your craft? Think about it. What score would you give to the “Mona Lisa” or “The Starry Night” from Van Gogh? About “Composition 8” from Kandinsky or “The Creation of Adam” by Michelangelo. It’s very subjective indeed and so is Pinot Noir from Burgundy, Cabernet Sauvignon from Australia and Riesling from Germany.