Modern Concerto

The ultimate instrumental showcase, the concerto has inspired  composers to torture performers for hundreds of years, relentlessly  pushing their physical capabilities. Now that performers have virtually  no limits on their technique, how are composers innovating this storied  form? Hosted by Seth Boustead Produced by Jesse McQuarters Kimmo Hakola: Concerto for Clarinet and Orchestra, I (excerpt), IV FRSO/Sakari Oramo; Kari Kriikku, clarinet Daron Hagen: Concerto for Koto and Orchestra, I. Genji/Cicada Shell Orchestra of the Swan/David Curtis; Yumi Kurosawa, koto Philip Glass (arr. Amy Dickson): Concerto for Violin and Orchestra, I Royal Philharmonic Orchestra/Mikel Toms Mark O’Connor: The Improvised Violin Concerto, III. Water Boston Youth Symphony Orchestra/Frederico Cortese Gabriel Prokofiev: Concerto for Turntables and Orchestra, II. Adagietto, Irreguluv Heritage Orchestra/Jules Buckley; DJ Yoda, turntables Kalevi Aho: Concerto for Theremin and Orchestra, Acht Jahreszeiten, III. Schwarzer Schnerr Lapland Chamber Orchestra/John Storgårds; Carolina Eyck, theremin Jennifer Higdon: Concerto for Orchestra, III Atlanta Symphony Orchestra/Robert Spano

Om Podcasten

A podcast about the most fascinating time in classical music history: right now. Relevant Tones features interviews with and music by some of the most creative figures in contemporary classical music, themed shows exploring new trends in classical music and frequent live streamed shows featuring conversations and music performances. Hosted and produced by Seth Boustead, Austin Williams, Stephen Anthony Rawson and Matt Dotson.