True Orphans pt 4 (1990-1992) - Final Season Specials

Into the 1990s, Martin and Sam return for more unreleased Waits tracks, splitting the decade into two more manageable chunks. This first episode sees some repurposed music, a few live songs, as well as Waits delivering heart-felt advice alongside Thelonius Monster. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Serrano, flexi-disc insert for the book 'Sylvia Plachy's Unguided Tour', Tom Waits (1990) I Left My Heart In San Francisco, live recording, Orpheum Theatre, San Francisco CA, w. George Corey / Douglass Cross (31 December 1990) Auld Lang Syne, live recording, Orpheum Theatre, San Francisco CA (31 December 1990/1 January 1991) It’s Alright With Me, Red Hot + Blue, Tom Waits / w. Cole Porter - music video dir. Jim Jarmusch (1990) Thousand Bing Bangs, Devout Catalyst, Ken Nordine / Tom Waits (1991) The Movie, Devout Catalyst, Ken Nordine / Tom Waits (1991) I'm Not Your Fool Anymore, Mississippi Lad, Teddy Edwards / Tom Waits (1991) Adios Lounge, Beautiful Mess, Thelonius Monster / Tom Waits (1992) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Om Podcasten

Song by Song is a podcast celebrating the music of Tom Waits, hosted by podcaster-musician Martin Zaltz Austwick and actor-musician Sam Pay. Sam and Martin set themselves the goal of listening to Tom Waits’s back catalogue from beginning to end, and devoting an episode to discussing each track. Song by Song is in no way officially linked to Tom Waits, or endorsed by Tom Waits, or associates. All excerpts are used for criticism purposes - please purchase your own copies of the music at your favourite shop, app, or platform to get the full experience and support musicians' work.