We Louvre The Carters

Beyonce and Jay-Z. Donald and Melania. Kim and Kanye. Harry and Meghan. We're compelled by the performance of marriage in culture. And with The Carters' new surprise album, "Everything Is Love," we wonder what it means for our beloved Beyonce -- and Jay-Z -- to position their marriage as a black cultural institution -- akin to the Huxtables or the Obamas -- that everyone should believe in. From writing their legacy into The Louvre in their "Apes**t" video to documenting the turmoil and triumph of their relationship in "Lovehappy," The Carters remind us that marriage, like everything, is performance -- and that matters.   Discussed this week: "Everything is Love" (The Carters, 2018)Zerina Akers' InstagramVince Aletti's Interview with Madonna in Aperture 156 (Summer 1999)Deana Lawson, PhotographerJohn Edmonds, PhotographerCarrie Mae Weems, Photographer"Consecration of the Emperor Napoleon I and Coronation of the Empress Josephine in the Cathedral of Notre-Dame de Paris on 2 December 1804" (Jacques-Louis David)

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Conversations about the culture that moves us – the good, the bad and whatever’s in between. Every week, critic Wesley Morris talks with writers and artists about the moment we’re in. Surprisingly personal and never obvious, new episodes drop Thursdays. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.