Gaza on Canvas | Malak Mattar
How would a city enduring genocide appear on a painter’s canvas? In this episode, we explore the world of Palestinian artist Malak Mattar, whose vivid yet haunting creations offer some answers. Malak, who has grown up under siege in Gaza, and whose artwork traveled before she did, shares the importance of art to Palestinian memory and identity. Tune in to learn more about how she deepens her relationship with the city she no longer lives in. This episode is hosted by Afaf Shawwa Bibi. Tarwida’s lead producer is Tala Elissa and it is co-produced by Lobna Monieb. Our executive producer is Zina Jardaneh. Social media by Kiera Doherty. Social media video production by Leen Karadsheh. Branding by Sara Sukhun. Theme music includes excerpts from Clarissa Bitar, The Popular Art Centre - مركز الفن الشعبي & Rim Banna.This episode was recorded on September 27th, 2024. Tarwida is a series of conversations that bring Palestinian arts, culture and heritage to the forefront. We hear from artists including writers, filmmakers, musicians, architects, culinary practitioners and more about their very own Palestine. In a nutshell, if you want to know more about (Creative) Palestine, this is the place to be. Follow us on @tarwidapodcastIf you have been listening to the Tarwida Podcast, we want to know who you are, hear your thoughts and feedback. We welcome any suggestions for next guests or topics! Help us understand you better by filling this short survey linked below, it won’t take more than 5 minutes. We promise you a coffee next time we see you. Thank you!--Relevant links and Resources: Malak Matar’s Instagram: @malakmattarartMalak Mattar’s storeMalak Mattar’s websiteSitti’s Bird Qattan Foundation’s Instagram: @qattanfoundationThe Markaz Review article: Malak Mattar - No Words, Only Scenes of RuinThe views and opinions expressed by guests are solely their own and do not necessarily reflect the points of view of the Tarwida Podcast, its hosts, or its team. While we value open dialogue and diverse perspectives, these conversations are not an endorsement or representation of our personal opinions.