TC - A Halloween Horrorthon!

In a podcast first, the podcast...repeats itself. But in a thematic way! To celebrate the end of Shocktober alongside Halloween, Peter returns to five different conversations exploring the horror genre in some way. First, Michael Koresky talks about the fear-inducing but plainly stylized The Seventh Victim, which turns classical continuity into a source of horror. Then, Kim Morgan explores trauma in the highly underrated rape drama Something Wild with Carroll Baker. Then it's back to Classical Hollywood with Farran Nehme-Smith's choice of Three Strangers, a supernatural film noir where a promise from a Chinese goddess only leads to doom for Geraldine Fitzgerald, Sydney Greetstreet, and poor Peter Lorre. Then the line between horror, comedy, documentary, and general "WTF" is truly bent with Matt Singer's choice of The Buried Secret of M. Night Shaymalan, which (inadvertently?) explores the limits and literalism of auteurism. Finally, we go to the purest horror film of all time with Angela Catalano's choice of The Texas Chain Saw Massacre, a film that knows no boundaries when it comes to showing unadulterated malice. It's time to revisit our most frightening conversations!

0:00-3:52 Opening
5:16-19:03 The Seventh Victim with Michael Koresky
20:45-34:50 Something Wild with Kim Morgan
36:48-55:08 Three Strangers with Farran Nehme-Smith
56:11-59:13 Sponsorship Section
1:00:59-1:20:45 The Buried Secret of M. Night Shaymalan with Matt Singer
1:21:52-1:38:48 The Texas Chain Saw Massacre with Angela Catalano
1:38:53-1:40:48 Close

Om Podcasten

The Cinephiliacs is a podcast exploring the past and future of cinephelia. Film critic Peter Labuza has interviewed critics, programmers, academics, filmmakers, and more about their relationship to film and film culture. Additionally, each guest will bring in a particular favorite film and discuss it with Labuza. Indiewire declares, "If you want to hear film critics talk at length about their craft, there are few better places on the Internet" and Keyframe Daily has called it "Exhibit A" for the future of film culture