African cinema, nationhood, and liberation
Africa's first filmmakers boldly revealed how, and why, colonialism lived on after the independences. Sarah Jilani takes a closer look at the works of Ousmane Sembène and Souleymane Cissé. The Malian director's 1982 film Finye (the Bambara word for wind) considers students as the winds of change, whilst Sembène's Mandabi, made in 1968, takes its title from a Wolof word deriving from the French for a postal money order – le mandat postale. Adapting his own novel about the frustrations of bureaucracy, the Senegalese director made the decision to make the film in the Wolof language. Sarah Jilani teaches at City, University of London and was chosen as a 2021 New Generation Thinker on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council which makes research into radio. You can hear her discussing another classic of African cinema on Free Thinking in this episode about Touki Bouki https://www.bbc.co.uk/programmes/m0013js4 and Satyajit Ray's Indian Bengali drama Jalsaghar, which depicts a landlord who would prefer to listen to music than deal with his flood ravaged properties https://www.bbc.co.uk/programmes/m000v9gjProducer: Torquil MacLeod