Apichatpong Weerasethakul on SLEEPCINEMAHOTEL

One of the most curious entries at this year’s International Film Festival Rotterdam (which runs January 24 to February 4) isn’t a film at all, but a new one-off project by Apichatpong Weerasethakul: SLEEPCINEMAHOTEL. True to the title, this is a fully operational hotel, conceived and designed by Apichatpong in tandem with IFFR curator Edwin Carels and a team of collaborators. Over the festival’s first five nights, guests could reserve (for a 75-euro fee) one of six beds, which are tiered within a tall metal scaffold and flanked by a wall-sized circular screen projecting assorted found footage courtesy of the nearby EYE Filmmuseum and The Netherlands Institute for Sound and Vision. Complete with bedside tables, lamps, and other accoutrements of a typical hotel—not to mention a fully stocked bar, breakfast options, and a balcony for public viewing—SLEEPCINEMAHOTEL fosters the sleep states so frequently conjured and portrayed in Apichatpong’s films. Film Comment was joined by Apichatpong at the exhibition on its final day to discuss how this unique project came to be, the influences behind the look and feel of the hotel, and how dreams function as a very particular and personal form of cinema.

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Founded in 1962, Film Comment has been the home of independent film journalism for over 50 years, publishing in-depth interviews, critical analysis, and feature coverage of mainstream, art-house, and avant-garde filmmaking from around the world. The Film Comment Podcast, hosted by editors Devika Girish and Clinton Krute, is a weekly space for critical conversation about film, with a look at topical issues, new releases, and the big picture. Film Comment is a nonprofit publication that relies on the support of readers. Support film culture. Support Film Comment.