Carte Blanche

Questions of legacy can rile up the creative juices in unexpected ways, especially when filmmakers who win a bit of success are allowed to dive headlong into their obsessions. In cases like these, equipped with higher budgets and greater creative freedom, a filmmaker sets out to make A Statement. At best, it's an opportunity to show off one's talents with unbridled freedom of expression; at worst, it can lapse into gratuitous excess. This episode of the Film Comment podcast takes up passion projects, particularly those in which filmmakers are given the "keys to the kingdom" after a commercial success. It can be an anxiety-inducing move—as the tagline for Zardoz, John Boorman's 1974 sci fi statement and Deliverance follow-up, aptly prophesied, "I have seen the future, and IT...DOESN'T...WORK." As always, Digital Editor Violet Lucca moderates, and is joined by FC mainstays Ashley Clark, film critic and programmer; Michael Koresky, Director of Editorial and Creative Strategy at the Film Society of Lincoln Center; and Nick Pinkerton, member of the New York Film Critics Circle.

Om Podcasten

Founded in 1962, Film Comment has been the home of independent film journalism for over 50 years, publishing in-depth interviews, critical analysis, and feature coverage of mainstream, art-house, and avant-garde filmmaking from around the world. The Film Comment Podcast, hosted by editors Devika Girish and Clinton Krute, is a weekly space for critical conversation about film, with a look at topical issues, new releases, and the big picture. Film Comment is a nonprofit publication that relies on the support of readers. Support film culture. Support Film Comment.