Kelly Reichardt on Showing Up

Kelly Reichardt’s latest feature, Showing Up, is a delicate, witty, yet deeply profound film about the messy ways in which living and surviving can get in the way of art-making. The film follows a ceramics artist, Lizzy (Michelle Williams), who prepares for an upcoming gallery show while wrangling family issues, the interpersonal politics of her day job at an art school, and problems with her landlord, who happens to be none other than her more successful colleague, Jo (Hong Chau). Not to mention the injured pigeon that Lizzy is suddenly forced to care for... It’s a new riff on themes familiar from Reichardt’s work, like friendship and the ways in which precarity impinges upon community, but it’s also the director's funniest film yet, one that finds joy and comedy in its milieu of eccentric, sometimes petty, yet infectiously passionate artists. With Showing Up arriving in theaters this week, Film Comment Co-Deputy Editor Devika Girish interviewed Reichardt about the making of the film, the casting of Williams and Chau, the work of Cynthia Lahti, Michelle Segre, and the various other artists who are featured in the film, and much more.

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Founded in 1962, Film Comment has been the home of independent film journalism for over 50 years, publishing in-depth interviews, critical analysis, and feature coverage of mainstream, art-house, and avant-garde filmmaking from around the world. The Film Comment Podcast, hosted by editors Devika Girish and Clinton Krute, is a weekly space for critical conversation about film, with a look at topical issues, new releases, and the big picture. Film Comment is a nonprofit publication that relies on the support of readers. Support film culture. Support Film Comment.